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      Embodied Listening: Exceeding the Restrictions of Visual Perception

      proceedings-article
      RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)
      Media Art, Science, and Technology
      August 20-23, 2019
      Sound, Listening, Moving image, Video, Fieldwork, Landscape, Performative, Gesture, Technology, Media
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            Abstract

            In an effort to move beyond representational modes of seeing and knowing, in this paper I explore how movement activates listening, and so expands the act of seeing through a process of embodiment and practice. Drawing on fieldwork undertaken for the production of the moving image work 'Between Two Suns', the aim of this paper is to articulate an idea of expanded forms of production that generate performative collaborations and improvisations beyond the camera frame. Through examining the methodological processes undertaken during fieldwork, this paper considers listening as a sensory experience of place that requires movement as a way to relate to other bodies. It contends that through the affective properties of sonic communication, we are able to engage in the world with a perspective that exceeds the restrictions of visual perception; demonstrating how sound draws attention to the entanglements of human and more-than-human forms of life through both movement and gesture. Listening is a form of sonic cognition and it produces a mode of knowledge that is both temporal and ephemeral, through a sensory reading with the world (Voegelin 2014). In this paper, I consider the influence of listening on looking as an embodied experience that requires creative gestures of movement as a way to make contact with otherwise unseen actions and ecologies within environments. By recounting the experiences of practice and process, I will illustrate how listening and performative movement open up a field of possibilities by destabilising the role of the observer through a connection to a larger world. Voegelin, S 2014, Listening to silence and noise: towards a philosophy of sound art , Bloomsbury, London

            Content

            Author and article information

            Contributors
            Conference
            August 2019
            August 2019
            : 76-82
            Affiliations
            [0001]Masters of Media

            School of Media and Communication

            RMIT University

            125 Latrobe Street

            Melbourne, 3000

            Australia
            Article
            10.14236/ewic/RESOUND19.12
            674596b7-b515-4e71-986f-278eff401d2a
            © Stanton. Published by BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology
            RE:SOUND 2019
            8
            Aalborg, Denmark
            August 20-23, 2019
            Electronic Workshops in Computing (eWiC)
            Media Art, Science, and Technology
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/RESOUND19.12
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Media,Sound,Listening,Moving image,Video,Fieldwork,Landscape,Performative,Gesture,Technology

            REFERENCES

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            8. 2011 Being alive: essays on movement, knowledge and description Routledge New York

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            10. 2009 Relationscapes: movement, art, philosophy MIT Press Cambridge

            11. 2013 Always more than one: individuation’s dance Duke University Press Durham

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            14. 2006 A field guide to getting lost Penguin Books London

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            16. 2015 Doing sensory ethnography 2 Sage London

            17. 2008 Ways of walking: ethnography and practice on foot Routledge London

            18. 2014 Listening to silence and noise: towards a philosophy of sound art Bloomsbury London

            19. 2016 An emotional cartography of resonance Emotion, Space and Society 20 75 81

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