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      Re-Volution Sampler – The Aesthetics of a Participatory Archive of Political Songs

      proceedings-article
      ,
      RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)
      Media Art, Science, and Technology
      August 20-23, 2019
      Aesthetics, Assemblage, Audio, Engagement of participants, Performing archive, Sound recording
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            Abstract

            This article describes and reflects upon the Re-Volution Sampler installation; an exploratory work to investigate how sonic archival material can be disseminated in engaging ways. The Re-Volution Sampler is a participatory installation which consist of a multi-layered assemblage of sonic documents. Ten political songs represent a multi-lingual mix of international, European and local Danish titles from the last decades. Participants can listen to songs and sing along, applaud, cheer or add verbal comments; they can also start new recordings. During an evaluation period of one week at a semi-public location, qualitative and quantitative methods are employed to collect data on the installation's engaging properties. We observe lively, shared and constructive interactions; that the participation is at the same time restrained; and that questions of power relationships surface as an essential aspect to navigate. The intended empowering effect of the installation appears uncertain and requires further investigation.

            Content

            Author and article information

            Contributors
            Conference
            August 2019
            August 2019
            : 122-131
            Affiliations
            [0001]IT University

            Copenhagen, DK
            Article
            10.14236/ewic/RESOUND19.20
            ec950f35-49cb-41ff-979e-7151623ea39b
            © Cermak-Sassenrath et al. Published by BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology
            RE:SOUND 2019
            8
            Aalborg, Denmark
            August 20-23, 2019
            Electronic Workshops in Computing (eWiC)
            Media Art, Science, and Technology
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/RESOUND19.20
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Performing archive,Assemblage,Sound recording,Aesthetics,Audio,Engagement of participants

            REFERENCES

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            10. 2008 Bastard Culture: User Participation and the Extension of Cultural Industries PhD diss Utrecht Univ Utrecht dspace.library.uu.nl/handle/1874/33564 September 14 2019

            11. 2018 Das sowjetische Jahrhundert. Archäologie einer untergegangenen Welt 3 Beck Munich

            12. 2013 Aesthetics of Interaction in Digital Art MIT Pr Cambridge

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