REsound the UNseen

As a political phenomenon, biodata collection is not dedicated to surveillance and control regimes, neither only to medical nor health devices. A wide range of interactive installations have been made transforming organic objects into new forms of insight, addressing some ethical and political issues concerning new perspective that such sonic exploration allows in a visual-based era. Sonification practices have been used bending human reality perception to the embodiment of what is normally unseen. Can both body and sound be seen as act of resistance in the not- revolutionary world? Are them both triggers of consciousness in this paradigm, or an instrument of reassurance? What is their role in the redefinition of orality and non-linguistic forms of communication? An infinite possibility of connections and relational dynamics make both body and sound able to give shape to invisible acts of resistance, so what their in-deep position in the ecosystem governance?

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Author and article information

Contributors

Clio Flego

Conference

Publication date: August 2019

Publication date (Print): August 2019

Pages: 202-208

Affiliations

[0001]MediaAC programme

Danube University Krems (AT)

Article

DOI: 10.14236/ewic/RESOUND19.31

SO-VID: ede1eec2-048b-441a-9f90-543c7519070b

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology

Conference acronym: RE:SOUND 2019

Conference number: 8

Conference location: Aalborg, Denmark

Conference date: August 20-23, 2019

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Media Art, Science, and Technology

History

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/RESOUND19.31

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

J. Butler 1988 Performative acts and gender constitution: An essay in phenomenology and feminist theory Theatre Journal 40 519 530
J. Cavuoto 2001 Biocontrol Corp. Looks to Break Into Computer Peripheral Market Neurotech business report www.neurotechreports.com/pages/biocontrol.html 30 August 2019
V. CharitsisA. F. YngfalkP. Skålén 2018 ‘Made to run’: Biopolitical marketing and the making of the self-quantified runner Marketing Theory doi.org/10.1177/1470593118799794
K. Evans 2009 Artist as Scientist: The Sonification of DNA https://www.academia.edu/11659690/Artist_as_Scientist_The_Sonification_of_DNA
D. Haraway 2016 Manifestly Haraway University of Minnesota Press 2016 ProQuest Ebook Central http://ebookcentral.proquest.com/lib/warw/detail.action?docID=4392065
T. Hermann 2008 Taxonomy and definitions for sonification and auditory display ICAD2008, Proceeding of the 14th International conference on Auditory Display Paris, France IRCAM
A. Hern 2018 Fitness tracking app Strava gives away location of secret US army bases The Guardian www.theguardian.com/world/2018/jan/28/fitness-tracking-app-gives-away-location-of-secret-us-army-bases 30 August 2019
B. LaBelle 2018 Sonic agency: Sound and emergent forms of resistance London Goldsmiths Press
M. McLuhan 1964 Understanding media: The extensions of man New York McGraw-Hill
P. B. Preciado 2013 Testo Junkie: Sex, Drugs, and Biopolitics in the Pharmacopornographic Era CUNY The Feminist Press
O. Rach 2018 Audience Insights and Open Data. smARTplaces | INNOVATION in Culture, ZKM Karlsruhe March 2018 www.youtube.com/watch?v=RO1tdLOzN8g
C. Robles-Angel 2011 Creating Interactive Multimedia Works with Bio-data NIME2011 International Conference on New Interfaces for Musical Expression Oslo NIME2011.421- 424
C. Robles-AngelL. ScherffigJ. BirringerU. SeifertL. Schmidt 2017 Bio-medical Signals in Media Art ISEA2017 Proceedings. Mazinales Biocreation and peace. Bogotá: ISEA2017 720 29
A Tanaka 2009 Sensor based Musical Instruments and Interactive Music R. Dean The Oxford Handbook of Computer Music Oxford, UK OUP 233 257
R. Teitelbaum 1966 74 Tune: Some Early Experiments in Biofeedback Music D. Rosenboom Biofeedback and the Arts, Results of Early Experiments Aesthetic Research Centre of Canada Publications Vancouver 1976 35 56
V. Vesna 2007 Database Aesthetics. Art in the Age of Information Overflow Minneapolis, London University of Minnesota Press

Comments

Comment on this article

[1] J. Butler 1988 Performative acts and gender constitution: An essay in phenomenology and feminist theory Theatre Journal 40 519 530

[2] J. Cavuoto 2001 Biocontrol Corp. Looks to Break Into Computer Peripheral Market Neurotech business report www.neurotechreports.com/pages/biocontrol.html 30 August 2019

[3] V. CharitsisA. F. YngfalkP. Skålén 2018 ‘Made to run’: Biopolitical marketing and the making of the self-quantified runner Marketing Theory doi.org/10.1177/1470593118799794

[4] K. Evans 2009 Artist as Scientist: The Sonification of DNA https://www.academia.edu/11659690/Artist_as_Scientist_The_Sonification_of_DNA

[5] D. Haraway 2016 Manifestly Haraway University of Minnesota Press 2016 ProQuest Ebook Central http://ebookcentral.proquest.com/lib/warw/detail.action?docID=4392065

[6] T. Hermann 2008 Taxonomy and definitions for sonification and auditory display ICAD2008, Proceeding of the 14th International conference on Auditory Display Paris, France IRCAM

[7] A. Hern 2018 Fitness tracking app Strava gives away location of secret US army bases The Guardian www.theguardian.com/world/2018/jan/28/fitness-tracking-app-gives-away-location-of-secret-us-army-bases 30 August 2019

[8] B. LaBelle 2018 Sonic agency: Sound and emergent forms of resistance London Goldsmiths Press

[9] M. McLuhan 1964 Understanding media: The extensions of man New York McGraw-Hill

[10] P. B. Preciado 2013 Testo Junkie: Sex, Drugs, and Biopolitics in the Pharmacopornographic Era CUNY The Feminist Press

[11] O. Rach 2018 Audience Insights and Open Data. smARTplaces | INNOVATION in Culture, ZKM Karlsruhe March 2018 www.youtube.com/watch?v=RO1tdLOzN8g

[12] C. Robles-Angel 2011 Creating Interactive Multimedia Works with Bio-data NIME2011 International Conference on New Interfaces for Musical Expression Oslo NIME2011.421- 424

[13] C. Robles-AngelL. ScherffigJ. BirringerU. SeifertL. Schmidt 2017 Bio-medical Signals in Media Art ISEA2017 Proceedings. Mazinales Biocreation and peace. Bogotá: ISEA2017 720 29

[14] A Tanaka 2009 Sensor based Musical Instruments and Interactive Music R. Dean The Oxford Handbook of Computer Music Oxford, UK OUP 233 257

[15] R. Teitelbaum 1966 74 Tune: Some Early Experiments in Biofeedback Music D. Rosenboom Biofeedback and the Arts, Results of Early Experiments Aesthetic Research Centre of Canada Publications Vancouver 1976 35 56

[16] V. Vesna 2007 Database Aesthetics. Art in the Age of Information Overflow Minneapolis, London University of Minnesota Press

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