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      “Ellos no están entendiendo nada” [“They are not understanding anything”]: embodied remembering as complex narrative in a Telematic Sonic Improvisation

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      ,
      RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)
      Media Art, Science, and Technology
      August 20-23, 2019
      Embodiment, memory, telematics, migration, listening, interfaces, conflict, complex narrative
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            Abstract

            INTIMAL is a physical-virtual system for relational listening, exploring the role of the body as interface that keeps memory of place in migratory contexts. The system is developed to integrate the body movements of performers (and their voices) with an oral archive. The system has been informed and tested by nine Colombian migrant women in Europe in a telematic performance between the cities of Oslo, Barcelona and London. In the performance a “complex narrative” emerged, for both the improvisers and the audiences. In this paper, we describe the conditions of the narrative environment, and the embodied expressions that emerged. We reflect on how this distributed embodied expression—through technological mediated sound and movement interactions—might further aid processes of collective remembering and catharsis, in a context of conflict and gendered migration.

            Content

            Author and article information

            Contributors
            Conference
            August 2019
            August 2019
            : 209-215
            Affiliations
            [0001]

            Article
            10.14236/ewic/RESOUND19.32
            562880ea-1ba4-4110-b85a-1bdd05097a4a
            © Díaz et al. Published by BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology
            RE:SOUND 2019
            8
            Aalborg, Denmark
            August 20-23, 2019
            Electronic Workshops in Computing (eWiC)
            Media Art, Science, and Technology
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/RESOUND19.32
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Embodiment,memory,listening,interfaces,telematics,conflict,migration,complex narrative

            REFERENCES

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            2. 2019 Conceptual design for intimai: a physical/virtual embodied system for relational listening Journal of Somaesthetics 4 2

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            5. 2019 From collecting an archive to artistic practice in the intimal project: lessons learned from listening to a colombian migrant women’s oral history archive Acervo. Revista do Arquivo Nacional 3 48 63

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            10. ISPR 2000 The concept of presence: Explication statement 15 01 19 https://ispr.info/

            11. 2017 Sonic microinteraction in “the air.” in ‘The Routledge Companion to Embodied Music Interaction’ Routledge New York 431 439

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            14. 2005 Deep Listening A Composer’s Sound Practice iUniverse, Deep Listening Publications Lincoln, NE

            15. 1977 Space and Place: The Perspective of Experience University of Minnesota Press Minneapolis

            16. 2002 Voices of collective remembering Cambridge University Press

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