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      AniMorph: Animation Driven Audio Mosaicing

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      Electronic Visualisation and the Arts (EVA 2015) (EVA)
      Electronic Visualisation and the Arts
      7 & 9 July 2015
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            Abstract

            This paper describes AniMorph a system for animation driven Concatenative Sound Synthesis (CSS). We can distinguish between two main application domains of CSS in the context of music technology: target sound re-synthesis, and free sound synthesis. The difference between these two categories is that in target sound re-synthesis the aim is to re-create a sound or a sound’s characteristics by providing audio examples (see Schwarz & Schnell 2010, Stevens et al. 2012), while free sound synthesis focuses on exploration of the audio corpus in order to synthesise novel sounds that do not necessarily resemble the features of another sound, for examples see (Comajuncosas 2011, Navab et al. 2014, Schwarz & Hackbarth 2012). The main motivation for the present investigation is to (i) develop appropriate models of interaction for efficient exploration of the audio corpus, and (ii) develop perceptually meaningful mappings to enable practitioners to create novel sounds using CSS by specify the perceptual characteristic of the sound that they want to synthesise in visual terms. The present research considers that it is of paramount importance to achieve an intuitive mapping in order to enable interaction with concatenative synthesis for creative purposes (e.g. sound design, electroacoustic composition, live performance). AniMorph builds on the software developed through an earlier system: Morpheme that uses sketching as a model for interaction (Tsiros 2013). To expand upon this work, we modified the existing interface in order to make it work with animation as user input.

            Content

            Author and article information

            Contributors
            Conference
            July 2015
            July 2015
            : 115-116
            Affiliations
            [0001]Centre for Interaction Design

            Edinburgh Napier University

            10 Colinton Road, EH10 5DT, UK
            Article
            10.14236/ewic/eva2015.55
            77744ec0-65a3-48f6-9c45-91191fe1ec83
            © Augoustinos Tsiros et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2015, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2015)
            EVA
            London, UK
            7 & 9 July 2015
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/eva2015.55
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. 2011 Nuvolet: 3d gesture-driven collaborative audio mosaicing New Interfaces for Musical Expression

            2. 2014 A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning New Interfaces for Musical Expression

            3. 2004 Data-driven concatenative sound synthesis Universite Paris 6 France

            4. 2012 Navigating variation: composing for audio mosaicing International Computer Music Conference

            5. 2010 Descriptor-based sound texture sampling Sound and Music Computing Conference

            6. 2012 Motion-driven concatenative synthesis of cloth sounds ACM Transactions on Graphics 31 4 1 10

            7. 2013 A Multidimensional Sketching Interface for Corpus Based Concatenative Synthesis International Conference on Auditory Display

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