Following the creation of Birdsong for Prisoners (Osmond 2011) this new composition Crossing Borders continues to explore the nature of sound as an internal and external form of interpretation. Birds, voices, sounds and languages are not necessarily restricted by artificially imposed borders. The ability to translate and transpose compositional materials, digitally store and retrieve recordings made in transit provides a new means of compositional accessibility.
J Osmond 2011 Birdsong for Prisoners EVA London 2011: Electronic Visualisation and the Arts 245 249 Electronic Workshops in Computing, British Computer Society