Towards a Digital Museum Dream Space

Digital three-dimensional (3D) scanning, editing and print technologies are giving rise to a number of unprecedented digital museum engagement practices, both fostered by museums and emerging outside the scope of these institutions. This paper examines how the creative engagement with digital 3D models of museum objects can link to the museum ‘dream space’ and reveal new possibilities in museums.

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Author and article information

Contributors

Sarah Younan

Conference

Publication date: July 2015

Publication date (Print): July 2015

Pages: 120-121

Affiliations

[0001]Cardiff School of Art and Design

Cardiff Metropolitan University, Llandaff Campus, Cardiff, CF52YB, UK

Article

DOI: 10.14236/ewic/eva2015.58

SO-VID: 4a4ec854-d8fe-4e8b-b006-79d8209d970f

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2015)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 7 & 9 July 2015

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/eva2015.58

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

S Annis 1986 The Museum as Staging Ground for Symbolic Action Museum International 38 168 171
J Baudrillard 1996 The System of Objectstrans. J Benedict Verso London/New York
W Benjamin 1973 Illuminationstrans. H Zohn Fontana, London
F Cameron 2007 Beyond the Cult of the Replicant.F CameronS Kenderdine Theorizing Digital Cultural Heritage: A Critical Discourse MIT Press Massachusetts/London
G Kavanagh 2000 Dream Spaces: Memory and the Museum Bloomsbury London
M Lovejoy 2004 Digital Currents: Art in the Electronic Age Routledge New York
L Neely and M Langer 2013 http://mw2013.museumsandtheweb.com/paper/please-feel-the-museum-the-emergence-of-3d-printing-and-scanning/ 21 02 2015
E Umberto 1990 Travels in Hyper Realitytrans. W Weaver Harcourt Brace & Company Orlando/Florida
A van DamS Spalter 2008 Digital Visual Literacy Theory Into Practice 47 2 93 101
M Wallace 1995 Changing media, changing messages E Hooper-Greenhill Museum, Media, Message Routledge London

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[1] S Annis 1986 The Museum as Staging Ground for Symbolic Action Museum International 38 168 171

[2] J Baudrillard 1996 The System of Objectstrans. J Benedict Verso London/New York

[3] W Benjamin 1973 Illuminationstrans. H Zohn Fontana, London

[4] F Cameron 2007 Beyond the Cult of the Replicant.F CameronS Kenderdine Theorizing Digital Cultural Heritage: A Critical Discourse MIT Press Massachusetts/London

[5] G Kavanagh 2000 Dream Spaces: Memory and the Museum Bloomsbury London

[6] M Lovejoy 2004 Digital Currents: Art in the Electronic Age Routledge New York

[7] L Neely and M Langer 2013 http://mw2013.museumsandtheweb.com/paper/please-feel-the-museum-the-emergence-of-3d-printing-and-scanning/ 21 02 2015

[8] E Umberto 1990 Travels in Hyper Realitytrans. W Weaver Harcourt Brace & Company Orlando/Florida

[9] A van DamS Spalter 2008 Digital Visual Literacy Theory Into Practice 47 2 93 101

[10] M Wallace 1995 Changing media, changing messages E Hooper-Greenhill Museum, Media, Message Routledge London

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