301
views
0
recommends
+1 Recommend
1 collections
    4
    shares
       
      • Record: found
      • Abstract: found
      • Conference Proceedings: found
      Is Open Access

      Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models

      proceedings-article

      , , ,

      Electronic Visualisation and the Arts (EVA 2015) (EVA)

      Electronic Visualisation and the Arts

      7 & 9 July 2015

      Music analysis, Modelling and simulation, Music composition, OpenMusic, James Tenney, Spectral music

      Bookmark

            Abstract

            Musical compositions can be the object of advanced computational modelling. We develop this idea by creating formal models allowing the study of musical works from the repertoire and conceiving corresponding computational tools. From this perspective, one can aim to model, produce and evaluate different instances and configurations of such models. In this paper we discuss an experimental tool, as an attempt to visualise the space of instances that can be generated from a musical piece’s model. This tool consists in an interface attached to a class in the OpenMusic environment, where parameter values are compared with the result of analytical descriptors, as that of ‘cognitive-sonance’ from the “Sonic Object Analysis Library” (SOAL). We demonstrate how this interface works by exploring it with a previously built model of James Tenney’s piece, the Spectral Canon for Conlon Nancarrow.

            Content

            Author and article information

            Contributors
            Conference
            July 2015
            July 2015
            : 72-79
            Affiliations
            [0001]UNICAMP Núcleo Intedisciplinar de Comunicação Sonora Rua da Reitoria 165, Campinas, Brasil
            [0002]UMR STMS IRCAM – CNRS – UPMC 1, place Igor Stravinsky, 75004 Paris, France
            Article
            10.14236/ewic/eva2015.8
            58490482-e96d-471e-b687-95e7184d2e5a
            © Kelly Hamilton Published by BCS Learning and Development Ltd. Proceedings of EVA London 2015, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2015)
            EVA
            London, UK
            7 & 9 July 2015
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            REFERENCES

            1. 1993 Cao: vers la partition potentielle Les Cahiers de l'Ircam: La composition assistée par ordinateur 1 3)

            2. 2007 La synthèse sonore en composition musicale assistée par ordinateur: Modélisation et écriture du son Thèse de doctorat, Université Pierre et Marie Curie (Paris 6) Paris

            3. 2011 OpenMusic Visual Programming Environment for Music Composition, Analysis and Research Proc. ACM MultiMedia 2011 (OpenSource Software Competition) Scottsdale, AZ, USA

            4. 2013 Modeling and Simulation: The Spectral CANON for CONLON Nancarrow by James Tenney Proceedings of Sound and Music Computing Conference 2013 Stockhom, Sweden

            5. 2010 Sonic Object Analysis Library (SOAL) Universidade Federal da Paraíba (UFPB) João Pessoa

            6. 2004 Complexité grammatologique et complexité aperceptive en musique Thèse de doctorat, Ecoles des Hautes Etudes en Sciences Sociales Paris

            7. 1987 Musicologie générale et sémiologie Paris

            8. 2008 Formalismes et modèles musicaux (2 volumes) Editions Delatour Paris

            9. 1996 Modèle Rythmique d'une piece pour clarinette d'Igor Stravinsky Journées d’Informatique Musicale (JIM 96)

            10. 2014 Modelling Arvo Pärt’s music with OpenMusic Proceedings of Electronic Visualisation and the Arts (EVA 2014) London, UK 8–10 07 2014 .p9 16 British Computer Society London

            11. 2011 Constraint Programming in Music Wiley – ISTE

            Comments

            Comment on this article