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      Phantasmagoria and the Architecture of the Contemporary City 1

      Architecture_MPS

      UCL Press

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          Most cited references 13

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          “Architecture under the Gaze of Photography: Benjamin’s Actuality and Consequences.”

           Lahiji Nadir (2005)
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            “Paris, Capital of the Nineteenth Century, Expose of 1939.”

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              “Dialectics at a Standstill, Approaches to the Passagen-Werk,” in Walter Benjamin’s

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                Author and article information

                Journal
                Amps
                Architecture_MPS
                UCL Press
                2050-9006
                October 2015
                : 7
                : 1
                Affiliations
                University of Canberra, Australia
                Article
                10.14324/111.444.amps.2015v7i4.001
                Copyright © 2015 The Author(s)

                This work is licensed under a Creative Commons Attribution 3.0 Unported. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/

                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 24, Pages: 17

                Notes

                1

                The argument in this essay is a short version of an extended analysis which is forthcoming in the co-authored book with Libero Andreotti, The Architecture of the Hyper-Mediated City: Phantasmagoria (New York: Routledge, 2015).

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