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The Literary Channel : The Inter-National Invention of the Novel
CHAPTER THREE. Sentimental Bonds and Revolutionary Characters: Richardson’s Pamela in England and France
edited-book
Author(s):
Lynn Festa
Publication date:
December 31 2009
Publisher:
Princeton University Press
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There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
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Film Festival Studies
Author and book information
Book Chapter
Publication date:
December 31 2009
Pages
: 73-105
DOI:
10.1515/9781400829514.73
SO-VID:
2f99b2a0-6d39-43ba-809c-5e44b1af7659
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Book chapters
pp. i
Frontmatter
pp. v
CONTENTS
pp. vii
ACKNOWLEDGMENTS
pp. 1
Introduction
pp. 37
CHAPTER ONE. Transnationalism and the Origins of the (French?) Novel
pp. 50
CHAPTER TWO. National or Transnational? The Eighteenth-Century Novel
pp. 73
CHAPTER THREE. Sentimental Bonds and Revolutionary Characters: Richardson’s Pamela in England and France
pp. 106
CHAPTER FOUR. Sentimental Communities
pp. 133
CHAPTER FIVE. Transnational Sympathies, Imaginary Communities
pp. 151
CHAPTER SIX. Phantom States: Cleveland, The Recess, and the Origins of Historical Fiction
pp. 183
CHAPTER SEVEN. Gender, Empire, and Epistolarity: From Jane Austen’s Mansfield Park to Marie-The´ re` se Humbert’s La Montagne des Signaux
pp. 194
CHAPTER EIGHT. The (Dis)locations of Romantic Nationalism: Shelley, Stae¨ l, and the Home-Schooling of Monsters
pp. 225
CHAPTER NINE. “An Occult and Immoral Tyranny”: The Novel, the Police, and the Agent Provocateur
pp. 251
CHAPTER TEN. Comparative Sapphism
pp. 286
AFTERWORD. From Literary Channel to Narrative Chunnel
pp. 295
Selected Bibliography
pp. 303
CONTRIBUTORS
pp. 305
INDEX
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