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Postsocialism and Cultural Politics : China in the Last Decade of the Twentieth Century
edited_book
Author(s):
Xudong Zhang
Publication date:
2008
Publisher:
Duke University Press
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There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
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Politics of the Low Countries
Author and book information
Book
ISBN (Print):
978-0-8223-4212-0
ISBN (Electronic):
978-0-8223-8893-7
Publication date:
2008
DOI:
10.1215/9780822388937
SO-VID:
2173cc7f-4a7b-4fd6-89b6-899f369ef874
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Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. ix
Acknowledgments
pp. ix
acknowledgments
pp. vii
Contents
pp. vii
Table of Contents
pp. 1
Introduction
pp. 1
introduction
pp. 1
Introduction The Cultural Politics of Postsocialism
pp. 25
The Return of the Political
pp. 25
The Return of the Political:
pp. 25
One The Return of the Political: The Making of the Post-Tiananmen Intellectual Field
pp. 102
Two Nationalism, Mass Culture, and Intellectual Strategies in the 1990s
pp. 102
Nationalism, Mass Culture, and Intellectual Strategies in the 1990s
pp. 102
Nationalism, Mass Culture, and Intellectual Strategies in the 1990s
pp. 136
Postmodernism and Postsocialist Society:
pp. 136
Three Postmodernism and Postsocialist Society: Cultural Politics after the “New Era”
pp. 136
Postmodernism and Postsocialist Society
pp. 181
Shanghai Nostalgia
pp. 181
Four Shanghai Nostalgia: Mourning and Allegory in Wang Anyi’s Literary Production in the 1990s
pp. 181
Shanghai Nostalgia:
pp. 212
Toward a Critical Iconography
pp. 212
Five Toward a Critical Iconography: Shanghai, “Minor Literature,” and the Unmaking of a Modern Chinese Mythology
pp. 212
Toward a Critical Iconography:
pp. 240
“Demonic Realism” and the “Socialist Market Economy”
pp. 240
“Demonic Realism” and the “Socialist Market Economy”:
pp. 240
Six “Demonic Realism” and the “Socialist Market Economy”: Language Game, Natural History, and Social Allegory in Mo Yan’s The Republic of Wine
pp. 269
National Trauma, Global Allegory:
pp. 269
National Trauma, Global Allegory
pp. 269
Seven National Trauma, Global Allegory: Construction of Collective Memory in Tian Zhuangzhuang’s The Blue Kite
pp. 289
Narrative, Culture, and Legitimacy
pp. 289
Narrative, Culture, and Legitimacy:
pp. 289
Eight Narrative, Culture, and Legitimacy: Repetition and Singularity in Zhang Yimou’s The Story of Qiu Ju
pp. 311
notes
pp. 311
Notes
pp. 311
Notes
pp. 331
bibliography
pp. 331
Bibliography
pp. 331
Bibliography
pp. 341
Index
pp. 341
index
pp. 341
Index
pp. 347
Back Matter
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