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      Research Workshop 1: Explorations in sound and visual art

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      Proceedings of EVA London 2020 (EVA 2020)

      AI and the Arts: Artificial Imagination

      6th July – 9th July 2020

      Digital art, Visual art, Sound and music, Photography, Gender

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          There is no author summary for this article yet. Authors can add summaries to their articles on ScienceOpen to make them more accessible to a non-specialist audience.

          Abstract

          The EVA London Research Workshop is one of the more unique elements of our Conference that we have been keen to develop over many years. Often Postgraduate Students, at Masters or PhD level, or Unaffiliated Artists may feel excluded from prestigious conferences until their research is complete and they can submit a full paper proposal. However apart from their Tutors, Supervisors and Mentors, EVA London provides an almost unique opportunity to submit projects which can be truly described as ‘Work in Progress’. With an audience of International Academics and acknowledged experts in a field, the Research Workshop presentations have often lead to very positive interest and support, and sometimes to future collaborations, or returning to EVA London a year later with a completed piece of Research and a successful Full Conference Proposal. In previous years the presentations have been very popular with our delegates and as Chair of the Research Workshops I can think of a number of occasions where an audience question that began “Have you thought of…” has lead to very exciting new lines of discovery. Sadly in 2020 we will miss that particular interaction, however, we have, as always selected an exciting, ground breaking and quite eclectic group of RW delegates. We hope that by publishing their papers here, either grouped together, around themes, or individually published, you will be keen to contact our RW authors to discuss and develop ideas, as if we had all been able to meet up together in July 2020.

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          Most cited references 5

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          Understanding naturalness and intuitiveness in gesture production

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            “gSPAT: Live Sound Spatialisation Using Gestural Control.”

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              Ways of Seeing

               J. Berger (1972)
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                Author and article information

                Contributors
                Conference
                July 2020
                July 2020
                : 347-357
                Affiliations
                Independent Researcher & Author

                13 Heathfield Drive

                Redhill, Surrey, RH1 5HL, UK
                University of Leicester

                University Road, Leicester, LE1 7RH, UK
                Royal College of Art

                Casting House, Deptford Foundry

                New Cross, London, SE14 6BN, UK
                London College of Communication

                University of the Arts

                Elephant & Castle

                London SE1 6SB, UK
                Image Maker & Designer

                Fresh Britain

                1 Alfred Place, Soho,

                London WC1E 7EB, UK
                Article
                10.14236/ewic/EVA2020.62
                © Diprose et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2020

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                Proceedings of EVA London 2020
                EVA 2020
                30
                London
                6th July – 9th July 2020
                Electronic Workshops in Computing (eWiC)
                AI and the Arts: Artificial Imagination
                Product
                Product Information: 1477-9358BCS Learning and Development Ltd
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

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