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      La intertextualidad en la copla popular de México

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          Abstract

          La intertextualidad en la lírica tradicional y popular surge como resultado de dos fenómenos: el surgimiento de una canción nueva (canciones contrahechas), en especial como parodia de la primera, y cuando una canción menciona a otra, creando una complicidad entre los intérpretes y el público durante la performance

          Translated abstract

          Intertextuality in traditional and popular poetry arises as a result of two phenomena. Firtstly, is the emergence of a new song as a parody of another (contrahechas); and, secondly, when in a song there is a mention to another text producing complicity between the performers and the audience during the performance

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          Most cited references13

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          Intertextualidad: redes de textos y literaturas transversales en dinámica intercultural

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            La intertextualidad literaria

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              Estudios sobre el romancero

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                Author and article information

                Contributors
                Role: ND
                Journal
                olivar
                Olivar
                Olivar
                Centro de Teoría y Crítica Literaria, Facultad de Humanidades y Ciencias de la Educación, Universidad Nacional de La PLata (La Plata, Buenos Aires, Argentina )
                1852-4478
                December 2012
                : 13
                : 18
                : 201-219
                Affiliations
                [01] orgnameUniversidad Autónoma de la Ciudad de México
                Article
                S1852-44782012000200010
                47c7557e-eef9-443f-9bb3-4d78044d61ac

                This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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                SciELO Argentina


                Intertextualidad,Copla tradicional,Canción popular,Canciones contrahechas,Parodia,Variantes,Intertextuality,Traditional song,Folk song,Contrahechas songs,Parody,Variants

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