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      La tecnocultura y su democratización: ruido, límites y oportunidades de los Labs

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          Abstract

          La cultura que surge del impacto computacional define un gran momento de cambio e innovación en el que el concepto de diseño alcanza unas dimensiones y consecuencias muy radicales. Aparecen nuevas identidades e instituciones. Una de ellas, el lab, ha hecho fortuna como descriptor difuso de entidades muy diferentes, y también como depositaria de exigencias democratizadoras ante los cambios actuales. Esta popularidad reclama una cierta clarificación, pues el mismo concepto de "laboratorio" ha estallado bajo el impacto de lo digital. Contrastamos estos nuevos labs con los antiguos considerà¡ndolos desde los parà¡metros de la prà¡ctica tecnológica y sus formas de innovación e investigación propias de la tecnocultura. Esto nos permite identificar problemas y carencias de las nuevas organizaciones en lo que respecta a la democratización de la tecnocultura. También nos ayuda a detectar nuevas oportunidades de investigación en el cruce entre tecnología, diseño y ciencias sociales

          Translated abstract

          Technoculture, the paradigm that emerges from the computational impact, defines a huge innovation and change movement where the concept of design reaches very radical dimensions and consequences. New identities and institutions arise. Among the latter ones, the "lab", has been used as a fuzzy descriptor of a multitude of actually rather different entities. It also has been identified as a space to accommodate and promote requests for the democratization of the current changes. The popularity of this concept requires some clarification, since even the concept of "laboratory" has exploded under the impact of the digital era. This paper contrasts these new laboratories with earlier forms of the lab organization and compares them against technological practices and new forms of innovation and research that are specific to technoculture. This allows us to identify problems and shortcomings of these new labs with respect to their ability to contribute to the democratization of technoculture. It also helps us to identify new research opportunities in the intersection between technology, design and social sciences

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          Most cited references71

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          Simians, Cyborgs, and Women : The Reinvention of Nature

          Donna Haraway analyses accounts, narratives, and stories of the creation of nature, living organisms, and cyborgs (cybernetic components); showing how deeply cultural assumptions penetrate into allegedly value-neutral medical research.
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                Author and article information

                Contributors
                Role: ND
                Journal
                cts
                Revista iberoamericana de ciencia tecnología y sociedad
                Rev. iberoam. cienc. tecnol. soc.
                Organización de Estados Iberoamericanos (OEI), el Centro de Estudios sobre Ciencia, Desarrollo y Educación Superior - REDES (Argentina) y el Instituto Universitario de Estudios de la Ciencia y la Tecnología de la Universidad de Salamanca (España) (Ciudad Autónoma de Buenos Aires, , Argentina )
                1850-0013
                May 2013
                : 8
                : 23
                : 259-282
                Article
                S1850-00132013000200015
                c522aa98-ecce-41a1-8c5a-21673b43c207

                This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

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                Figures: 0, Tables: 0, Equations: 0, References: 75, Pages: 24
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                SciELO Argentina


                Tecno-cultura,Democratización,Diseño,Laboratorio,Technoculture,Democratization,Design,Lab

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