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      On Pre-colonial Indigenous (Sound) Technologies

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      proceedings-article
      Proceedings of Politics of the Machines - Rogue Research 2021 (POM 2021)
      debate and devise concepts and practices that seek to critically question and unravel novel modes of science
      September 14-17, 2021
      Sound Studies, Media Art History, Pre-modern Technology, Global South, Decoloniality
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            Abstract

            This paper unpacks the finesse and intricacies with which some of the pre-colonial and pre-modern sound-producing instruments were conceived and built in South Asia using indigenous technologies. The paper argues that these indigenous technologies were as sophisticated as the technology we know today from a Western modernist and colonialist understanding of it riding on ideas of control, surveillance and exploitation of nature and human resources. The paper intends to substantiate this view that these indigenous technologies had an embedded quality to them and it makes no sense today to adhere to the hierarchy of “high tech” and “low tech”. The paper suggests expanding the terms media arts and “TechArts” or technology-driven arts in the Western taxonomies, represented often by large-scale, spectacular immersive arts proliferated in European and American festivals. Given the historical examples of artistic practices using pre-modern technologies in South Asia, the paper proposes to redefine what “TechArt” means, aiming to decolonize media arts field giving due credits to tech-artists and artisans from the Global South.

            Content

            Author and article information

            Contributors
            Conference
            September 2021
            September 2021
            : 32-37
            Affiliations
            [0001]
            Article
            10.14236/ewic/POM2021.4
            c7773970-e28c-4dac-bb2f-17b63f877c14
            © Chattopadhyay. Published by BCS Learning & Development Ltd. Proceedings of Politics of the Machines - Rogue Research 2021, Berlin, Germany

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of Politics of the Machines - Rogue Research 2021
            POM 2021
            3
            Berlin, Germany
            September 14-17, 2021
            Electronic Workshops in Computing (eWiC)
            debate and devise concepts and practices that seek to critically question and unravel novel modes of science
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/POM2021.4
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Global South,Media Art History,Decoloniality,Sound Studies,Pre-modern Technology

            REFERENCES

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            4. (2000). Provincializing Europe: postcolonial thought and historical difference. Princeton University Press, Princeton, N.J.

            5. (2020). Unrecord: Demodernising and/or Uncolonising Sound Objects, talk given at PRAKSIS, Oslo. http://www.praksisoslo.org/events-calendar/2020/8/chattopadhyay (October 2021)

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