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      Electronic Visualisation and the Arts (EVA 2011) - Index

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      Electronic Visualisation and the Arts (EVA 2011) (EVA)
      Electronic Visualisation and the Arts
      6 - 8 July 2011
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            Abstract

            Electronic Visualisation and the Arts 2011 (EVA 2011) is co-sponsored by the Computer Arts Society and BCS, the Chartered Institute for IT, of which the CAS is a specialist group. Over almost two decades, the EVA conference has established itself as one of London’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers in this volume touch on museum studies, semantic web, immersive environments, simulation, 3D scanning, haptics, digital archaeology and many others. The latest research by established scholars, early career researchers and students may be found here.

            Across the three days of papers, contributions can be found on museums; technologies and human computer interaction; digitisation and the digitisation process; social networking and social media; virtual worlds which are becoming ever more ubiquitous and usable; 3D imaging technology, education and philosophy; performance, and the arena of cultural heritage policy and administration. The geographic areas covered by the research reported include Russia, Italy, Spain, Scotland and the Dead Sea, as well as the geographically neutral realms of cyberspace. This illustrates the increasingly fluid definition of the word ‘Visualisation’: whereas once this indicated a relatively straightforward process of turning binary or textual information into graphics, now constructing visualisations means negotiating a whole array of semantic, political and content-related issues. The papers in this collection confront this ‘complexity deluge’ in visualisation from a myriad of different perspectives, and challenge us to re-think its most fundamental concepts.

            Main article text

            Papers:

            Plenary Session: The three dimensions

            Paul Richens and Marion Harney Reconstruction of Historic Landscapes http://dx.doi.org/10.14236/ewic/EVA2011.1

            Nick Lambert From the dome of heaven to a cupola in space: re-engaging with imagery and symbolism through 3D digital art installations http://dx.doi.org/10.14236/ewic/EVA2011.2

            Stephanie Adolf Optical Measurement Techniques for multi-dimensional measurement of Cultural Heritage http://dx.doi.org/10.14236/ewic/EVA2011.3

            Plenary Session: Museums: technologies and interactions

            Sarah McDaid, Silvia Filippini-Fantoni and Matthew Cock Handheld handholding: small-screen support for museum visitors http://dx.doi.org/10.14236/ewic/EVA2011.4

            Oluwaoyin Sogbesan and Natalia Grincheva 'Universal' access in 3000 years? The Digital Collections of the State Hermitage Museum http://dx.doi.org/10.14236/ewic/EVA2011.5

            Danny Birchall 'Things': a case study in getting from accession to online display in 60 minutes http://dx.doi.org/10.14236/ewic/EVA2011.6

            Koula Charitonos, Canan Blake, Eileen Scanlon and Ann Jones Museum Learning 2.0: How (can) Web 2.0 technologies be used for enhancing the museum learning experience? http://dx.doi.org/10.14236/ewic/EVA2011.7

            Plenary Session: New digitizations

            Chris Rowland Fishing with sound: An aesthetic approach to Visualising our Maritime Heritage http://dx.doi.org/10.14236/ewic/EVA2011.8

            Anthony Head 3D Weather - Towards a Real-time 3D Simulation of Localised Weather http://dx.doi.org/10.14236/ewic/EVA2011.9

            Yi-Hui Huang Understanding digital-altered photographs through photographers' views of reality: Matt Siber as an example http://dx.doi.org/10.14236/ewic/EVA2011.10

            Richard Laing and Johnathan Scott The Devil is in the Detail http://dx.doi.org/10.14236/ewic/EVA2011.11

            Parallel Session: Social Networking

            Rob Burton 'Kiki Salon Presents...': A Journey into Conceptual Brand and Product Development utilising Social Networking and New Media to Analyse Issues of Diversity, Authenticity and Collaborative Practices in Art and Design http://dx.doi.org/10.14236/ewic/EVA2011.12

            Maureen Kendal and Alan Hudson On the Beach - A handbook for using 3D virtual digital platforms like Second Life - 'the WEISL' - 'Writing Explorations in Second Life' http://dx.doi.org/10.14236/ewic/EVA2011.13

            Doron Goldfarb, Max Arends, Josef Froschauer, Dieter Merkl and Martin Weingartner Combining Cultural Heritage Related Web Resources in 3D Information Landscapes http://dx.doi.org/10.14236/ewic/EVA2011.14

            Parallel Session: Demonstrations

            Jan Wojdziak, Martin Zavesky, Ingmar S. Franke, Christian Lambeck and Rainer Groh Guest Login - Visitor-centred Information Design http://dx.doi.org/10.14236/ewic/EVA2011.15

            Parjad Sharifi Whispers of The Still City http://dx.doi.org/10.14236/ewic/EVA2011.16

            Marilli Mastrantoni and Evangelos Haviaris De-Fences http://dx.doi.org/10.14236/ewic/EVA2011.17

            Plenary Session: Virtual Worlds

            Paul Hazelwood, Amanda Oddie, Steve Presland and Brian Farrimond 3D Spatiotemporal Reconstruction of Places and Events for Digital Heritage http://dx.doi.org/10.14236/ewic/EVA2011.18

            Amanda Oddie, Paul Hazelwood, Brian Farrimond and Steve Presland Applying Deductive Techniques to the Creation of Realistic Historical 3D Spatiotemporal Visualisations from Natural Language Narratives http://dx.doi.org/10.14236/ewic/EVA2011.19

            Simon Elliott The Garden of Ideas http://dx.doi.org/10.14236/ewic/EVA2011.20

            Keynote Paper

            Paul Squires Digital Publishing: tension and attention http://dx.doi.org/10.14236/ewic/EVA2011.21

            Plenary Session: Visualisation of Spaces

            Amir Soltani Embodied Airborne Imagery: Low-Altitude Urban Filmic Topography http://dx.doi.org/10.14236/ewic/EVA2011.22

            Richard Beales, Ajay Chakravarthy, Sam Kuhn, Steve Luther, Michael Selway, Mike Stapleton and James Stevenson ICON: Authentic 3D Cultural Heritage Models for the Creative Industries http://dx.doi.org/10.14236/ewic/EVA2011.23

            Xin Li, Xia Zhang, Peng Cui, Zhiyong Fu, Shiqiang Yang and Baoguo Cui The Visualization of Mass Information in Social Network with a Holistic View http://dx.doi.org/10.14236/ewic/EVA2011.24

            Graham Diprose and Mike Seaborne An Alternative Approach to Conserving Digital Images into the 23rd Century http://dx.doi.org/10.14236/ewic/EVA2011.25

            Parallel Session: 3D Imaging Technology

            Richard Collmann and Dirk van der Knijff Virtual 3D Object Imaging for Cultural Artefacts: Demonstrator http://dx.doi.org/10.14236/ewic/EVA2011.26

            Graeme Earl, Philip Basford, Alexander Bischoff, Alan Bowman, Charles Crowther, Jacob Dahl, Michael Hodgson, Leif Isaksen, Eleni Kotoula, Kirk Martinez, Hembo Pagi and Kathryn E. Piquette Reflectance Transformation Imaging Systems for Ancient Documentary Artefacts http://dx.doi.org/10.14236/ewic/EVA2011.27

            Lindsay W. MacDonald Visualising an Egyptian Artefact in 3D: Comparing RTI with Laser Scanning http://dx.doi.org/10.14236/ewic/EVA2011.28

            Parallel Session: Education and Philosophy

            Charlotte Crofts Technologies of seeing the past: the Curzon memories App http://dx.doi.org/10.14236/ewic/EVA2011.29

            Colette Tom Digital Simulation: a new kind of artifice? http://dx.doi.org/10.14236/ewic/EVA2011.30

            Karen Cham The architecture of the image http://dx.doi.org/10.14236/ewic/EVA2011.31

            Parallel Session: History

            Xavier Laumain, Angela López Sabater and Carlos Huerta Gabarda Virtual technologies for archeaological studies of Nolla's ceramic mosaics http://dx.doi.org/10.14236/ewic/EVA2011.32

            Tessa Morrison and Ning Gu What architectural historians can learn from augmented reality technologies? http://dx.doi.org/10.14236/ewic/EVA2011.33

            Elena Logdacheva, Yuri Vinogradov, Sergei Shvemberger and Nikolay Borisov 3D reconstruction of Cimmerian Bosporus painted crypts http://dx.doi.org/10.14236/ewic/EVA2011.34

            Alan Payne, Peter Fry, Heather Lane, Robert Smith and Julio D'Escrivan Semantic browsing: a new way to explore and discover heritage treasures http://dx.doi.org/10.14236/ewic/EVA2011.35

            Dimitris Mylonas and Lindsay MacDonald An online colour naming workshop http://dx.doi.org/10.14236/ewic/EVA2011.36

            Plenary Session: Digital Art

            Sean Clark Revisiting interactive art systems http://dx.doi.org/10.14236/ewic/EVA2011.37

            Donatella Barbieri Encounters in the archive - capturing the experience of the interaction between the artist and the archive http://dx.doi.org/10.14236/ewic/EVA2011.38

            Azadeh Mohammadi and Taraneh Meshkani Interactive wallpaper (Panel Session) http://dx.doi.org/10.14236/ewic/EVA2011.39

            Keynote Paper

            Beryl Graham Museums, new media art, documentation and collection http://dx.doi.org/10.14236/ewic/EVA2011.40

            Plenary Session: Performance Technology

            Ruth Gibson Capturing stillness: visualisations of dance through motion/performance capture http://dx.doi.org/10.14236/ewic/EVA2011.41

            Matt Benatan, Ian Symonds and Kia Ng Mobile notion: multimodal device augmentation for musical applications http://dx.doi.org/10.14236/ewic/EVA2011.42

            Grethe Mitchell and Andrew Clarke Capturing and Visualising Playground Games and Performance: A Wii and Kinect based motion capture system http://dx.doi.org/10.14236/ewic/EVA2011.43

            Parallel Session: Performance

            Daniel Felstead and Kate Bailey Curating performance installations http://dx.doi.org/10.14236/ewic/EVA2011.44

            Paul Wiersbinski TOYs - interactive AV performance http://dx.doi.org/10.14236/ewic/EVA2011.45

            Parallel Session: Demonstrations

            Radu Moraru, Oana Gui and Pr.Ioan Chirilã 3D modelling of an important symbol of orthodox wooden churches: the imperial gates http://dx.doi.org/10.14236/ewic/EVA2011.46

            Iñigo Giner Miranda Tratado de imágenes (for live trio and video track) http://dx.doi.org/10.14236/ewic/EVA2011.47

            Joe Osmond Birdsong for prisoners http://dx.doi.org/10.14236/ewic/EVA2011.48

            Plenary Session: Visualisation and the arts

            Veronika Reichl The Joy of Visual Metaphors http://dx.doi.org/10.14236/ewic/EVA2011.49

            Tom Keene The Apple Barrier: an open source interface to the iPhone http://dx.doi.org/10.14236/ewic/EVA2011.50

            Susan Jane Jones and Lynne Hall The photograph as a cultural arbitrator in the design of virtual learning environments for personal and social education for children and young people http://dx.doi.org/10.14236/ewic/EVA2011.51

            Conference exhibition and research workshop

            Martha Gabriel Sensitive Rose and the Cross-media Era http://dx.doi.org/10.14236/ewic/EVA2011.52

            Seana McNamara The Norse Myth of Odin - digital art series on thought and memory http://dx.doi.org/10.14236/ewic/EVA2011.53

            Javier Pereda Lucha Libre: visualizing behind the mask http://dx.doi.org/10.14236/ewic/EVA2011.54

            Mikel Horl Digital rejoinders: time and place, hither and thither, war and peace http://dx.doi.org/10.14236/ewic/EVA2011.55

            Anastasios Maragiannis and Emmanouil Kanellos Typographical Experimental Research in AudioVisual Spaces [T.E.R.A.S. lab] http://dx.doi.org/10.14236/ewic/EVA2011.56

            Phil Taylor The lo-fi phenomenon - analogue versus digital in the creative process http://dx.doi.org/10.14236/ewic/EVA2011.57

            Eva Van Passel Sustainable Digital Access to Cultural Heritage: Organizational, Financial and Policy Challenges http://dx.doi.org/10.14236/ewic/EVA2011.58

            Lewis Sykes The Augmented Tonoscope http://dx.doi.org/10.14236/ewic/EVA2011.59

            Angeliki Chrysanthi, Constantinos Papadopoulos and Tom Frankland Evaluating 'Tangible Pasts': A Mixed Reality Application for Cultural Heritage http://dx.doi.org/10.14236/ewic/EVA2011.60

            Joe Osmond Abstract Animation and the Art of Sound http://dx.doi.org/10.14236/ewic/EVA2011.61

            Renata Gaspar Moving Along: performance and moving-image as contemporary media of a global circulation of culture http://dx.doi.org/10.14236/ewic/EVA2011.62

            Author and article information

            Contributors
            Conference
            July 2011
            July 2011
            Article
            10.14236/ewic/EVA2011.0
            1812f186-f14e-449a-8d3f-cd09125d4595

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2011)
            EVA
            London, UK
            6 - 8 July 2011
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

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