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      Electronic Visualisation and the Arts (EVA 2012) - Index


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      Electronic Visualisation and the Arts (EVA 2012) (EVA)

      Electronic Visualisation and the Arts

      10 - 12 July 2012



            Electronic Visualisation and the Arts London 2012 (EVA London 2012) is co-sponsored by the Computer Arts Society and BCS, The Chartered Institute for IT, of which the CAS is a specialist group. Over almost two decades, the EVA conference has established itself as one of London’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers in this volume touch on museum studies, digital performance, augmented reality, simulation, 3D scanning, digital archaeology and many others. The latest research by established scholars, early career researchers and students may be found here.

            For more information about EVA 2012 visit www.eva-london.org or search on Twitter for EVAlondonconf.

            EVA London has established itself as one of London’s most innovative and interdisciplinary conferences in the field of digital visualisation. It is a unique mix of papers, presentations, demonstrations, an exhibition and a research workshop aimed at early career researchers. Both its format and its themes reflect the great diversity of research in the theory, methods and practice of digital visualisation: it is a forum where the sciences, arts, humanities and performance are equally at home.

            This volume of EVA London 2012 presents over sixty papers from researchers inside and outside the academy, and at all career stages. This year, EVA London has delegates from 12 countries in four continents, coming together at the BCS’ premises in Covent Garden both to explore well-established links between visualisation disciplines and to forge new ones. Areas touched on include museum studies, digital performance, augmented reality, simulation, 3D scanning and digital archaeology, among many others.

            EVA London is part of a larger network of EVA international conferences. In the past twenty years, EVA meetings have been held in Athens, Beijing, Berlin, Brussels, California, Cambridge (both UK and USA), Dallas, Delhi, Edinburgh, Florence, Gifu (Japan), Glasgow, Harvard, Jerusalem, Kiev, Laval, London, Madrid, Montreal, Moscow, New York, Paris, Prague, Thessaloniki and Warsaw.

            Main article text


            EVA London 2012 is co-sponsored by the Computer Arts Society and BCS, The Chartered Institute for IT, of which the CAS is a specialist group. It has collaborative relationships with Imperica and Ashgate Publishing, who are kindly sponsoring a Best Paper prize in 2012.


            Plenary Session: Culture in the new world

            Andrew Richardson An overview of the pixel ware project at the Oriental Museum, Durham http://dx.doi.org/10.14236/ewic/EVA2012.1

            Caryl Mann A study of the iPhone app at Kew: Improving visitor experience http://dx.doi.org/10.14236/ewic/EVA2012.2

            Murat Germen Subjectivity in contemporary visualization of reality: re-visiting Ottoman miniatures http://dx.doi.org/10.14236/ewic/EVA2012.3

            Keynote speaker

            Ian Hughes, Metaverse evangelist Maker Culture FTW http://dx.doi.org/10.14236/ewic/EVA2012.4

            Plenary Session: Seeing data

            Leigh Garrett and Amy Robinson Spot the difference! Plagiarism identification in the visual arts http://dx.doi.org/10.14236/ewic/EVA2012.5

            Nick Bryan-Kinns and Jennifer G Sheridan Visualising mutual engagement http://dx.doi.org/10.14236/ewic/EVA2012.6

            Slavko Milekic Using eye- and gaze-tracking to interact with a visual display http://dx.doi.org/10.14236/ewic/EVA2012.7

            Erica Seccombe Grow: visualising nature at nanoscale http://dx.doi.org/10.14236/ewic/EVA2012.8

            Parallel Session: The place and the digital

            Stefan Zedlacher QRchitecture http://dx.doi.org/10.14236/ewic/EVA2012.9

            Stefania Boiano et al. Usability, design and content issues of mobile apps for cultural heritage promotion: the Malta Culture Guide experience http://dx.doi.org/10.14236/ewic/EVA2012.10

            Jeanie Sinclair and Philip Reeder The Intangible Archive http://dx.doi.org/10.14236/ewic/EVA2012.11

            Anthony Head Exploring the issues of digital outdoor architectural projections http://dx.doi.org/10.14236/ewic/EVA2012.12

            Parallel Session: Demonstrations

            Michael Peters and Mike Parsons The virtual metropolis http://dx.doi.org/10.14236/ewic/EVA2012.13

            Parallel Session: Digital art and research

            Leigh Garrett and Marie-Therese Gramstadt KAPTUR: exploring the nature of visual arts research data and its effective management http://dx.doi.org/10.14236/ewic/EVA2012.14

            Melanie Rozencwajg and Jhava Chikli Unlocking the archive document http://dx.doi.org/10.14236/ewic/EVA2012.15

            Kyle Johnson et al. Virtual tours for museum exhibits http://dx.doi.org/10.14236/ewic/EVA2012.16

            Kelly Hamilton Wittgenstein and Tufte on Thinking in 3D: 'Escaping Flatland' http://dx.doi.org/10.14236/ewic/EVA2012.17

            Plenary Session: Sound and life

            John V H Bonner et al. Making audience experiences more meaningful and emotionally engaging through mixed visual and audio media http://dx.doi.org/10.14236/ewic/EVA2012.18

            Camille Baker et al. The Life Project http://dx.doi.org/10.14236/ewic/EVA2012.19

            Jack Armitage et al. Visualising sound: Localisation, feature analysis and visualisation http://dx.doi.org/10.14236/ewic/EVA2012.20

            Keynote speaker

            William Dudley, RDI Theatre design and digitisation http://dx.doi.org/10.14236/ewic/EVA2012.21

            Plenary Session: Building the virtual

            Danny Birchall and Martha Henson The brain as game http://dx.doi.org/10.14236/ewic/EVA2012.22

            Aylish Wood Visualizing Maya http://dx.doi.org/10.14236/ewic/EVA2012.23

            Damian Schofield et al. Roman Portraiture and biometric identification http://dx.doi.org/10.14236/ewic/EVA2012.24

            Stuart Dunn and Kirk Woolford Reconfiguring experimental archaeology using 3D reconstruction http://dx.doi.org/10.14236/ewic/EVA2012.25


            Michael Twidale Usability Lab http://dx.doi.org/10.14236/ewic/EVA2012.26

            Parallel Session: Visualisation, maps and structures

            Gary Priestnall et al. Projection Augmented Relief Models (PARM): tangible displays for geographic information http://dx.doi.org/10.14236/ewic/EVA2012.27

            Visualizing the main monuments of Crete through an abstract interactive 3D

            Panagiotis Parthenios model http://dx.doi.org/10.14236/ewic/EVA2012.28

            Tessa Morrison et al. Applying augmented reality to preserving industrial heritage http://dx.doi.org/10.14236/ewic/EVA2012.29

            Sotiris Konstas Audiovisual installation: interactive imprinting of sound in water http://dx.doi.org/10.14236/ewic/EVA2012.30

            Parallel Session: Demonstrations

            Peter Hobson et al. Visualising Breath http://dx.doi.org/10.14236/ewic/EVA2012.31

            Simon Finn Synthetic animated realities http://dx.doi.org/10.14236/ewic/EVA2012.32

            Parallel Session: Digital art and networked culture

            Eric T. Meyer and Isis Amelie Hjorth Connecting performance artists with digital audiences: A case study of Scratch Online http://dx.doi.org/10.14236/ewic/EVA2012.33

            Parallel Session: Demonstrations

            Oluwatoyin Sogbesan Experiencing culture through the use of interactive digital board http://dx.doi.org/10.14236/ewic/EVA2012.34

            Sara Heitlinger et al. The Talking Quilt - Augmenting domestic objects for communal meaning-making http://dx.doi.org/10.14236/ewic/EVA2012.35

            Plenary Session: Art and performance

            Roman Miletitch et al. Eliciting writing-like behaviour in sign language through photographic representation of movement http://dx.doi.org/10.14236/ewic/EVA2012.36

            Hetty Blades Creative computing and the re-configuration of dance ontology http://dx.doi.org/10.14236/ewic/EVA2012.37

            Joanne Armitage et al. mConduct: a multi-sensor interface for the capture and analysis of conducting gesture http://dx.doi.org/10.14236/ewic/EVA2012.38

            Keynote speaker

            Costas Karageorghis Tapping the power of music in sport and exercise http://dx.doi.org/10.14236/ewic/EVA2012.39

            Plenary Session: Communities and research

            Jonathan P. Bowen and Robin J. Wilson Visualising virtual communities: From Erdős to the arts http://dx.doi.org/10.14236/ewic/EVA2012.40

            Christina Kamposiori Digital infrastructure for art historical research: thinking about user needs http://dx.doi.org/10.14236/ewic/EVA2012.41

            Chris Alen Sula Quantifying Culture: The value of visualization inside (and outside) libraries, museums, and the academy http://dx.doi.org/10.14236/ewic/EVA2012.42

            Parallel Session: Imaging

            Leila Maani and Nina Reeves Encouraging the acquisition of drawing skills in game design: A case study http://dx.doi.org/10.14236/ewic/EVA2012.43

            Carl Smith Enhancing spatial cognition to improve pattern recognition within mixed reality environments http://dx.doi.org/10.14236/ewic/EVA2012.44

            Hsin Hsin Lin Paradigm Shift: an eco-friendly approach to create and display stereoscopic geometric designs http://dx.doi.org/10.14236/ewic/EVA2012.45

            Roman Miletitch et al. Real-time 3D gesture visualisation for the study of Sign Language http://dx.doi.org/10.14236/ewic/EVA2012.46

            Parallel Session: Demonstrations

            Eunice Gonçalves Duarte Inside Out: blessed are the machines that allow us to see http://dx.doi.org/10.14236/ewic/EVA2012.47

            Olga Pombo et al. Body-image: crossing science and art http://dx.doi.org/10.14236/ewic/EVA2012.48

            Christin Bolewski Viewers’ engagement in nonlinear storytelling: ‘Journeys in Travel’ http://dx.doi.org/10.14236/ewic/EVA2012.49

            Christoph Klemmt Anisotropia: movements towards a lyrical design http://dx.doi.org/10.14236/ewic/EVA2012.50

            Plenary Session: Digital imaging

            Nola Semczyszyn What we see when we look at medical images http://dx.doi.org/10.14236/ewic/EVA2012.51

            Alejandro Giacometti et al. Cultural heritage destruction: Documenting parchment degradation via multispectral imaging http://dx.doi.org/10.14236/ewic/EVA2012.52

            Lindsay MacDonald et al. High Art: Visualising damage on a heritage ceiling http://dx.doi.org/10.14236/ewic/EVA2012.53

            Conference Exhibition

            Kingsley Ash and Nikos Stavropoulos Livecell http://dx.doi.org/10.14236/ewic/EVA2012.54

            Justine Flynn Imponderable Music: Using infrasonic frequencies as a stimulus for haptic perception within installation based work http://dx.doi.org/10.14236/ewic/EVA2012.55

            Jorge Luis Dieguez Salaza and Jose Carlos Flores The Building Project http://dx.doi.org/10.14236/ewic/EVA2012.56

            Jie Wu Boeing Man(1964):the Origin of Realistic Algorithmic Human Figures http://dx.doi.org/10.14236/ewic/EVA2012.57

            Author and article information

            July 2012
            July 2012

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2012)
            London, UK
            10 - 12 July 2012
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Electronic Workshops in Computing


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