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      Electronic Visualisation and the Arts (EVA 2013) - Index

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      Electronic Visualisation and the Arts (EVA 2013) (EVA)
      Electronic Visualisation and the Arts
      29 - 31 July 2013


            Over almost two decades, the EVA London conference on Electronic Visualisation and the Arts has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences. It brings together a wide range of research domains to celebrate a diverse range of interests with a specialised focus on visualisation.

            EVA London 2013 presents a wide spectrum of papers, presentations, demonstrations, an exhibition, and a research workshop. It is a forum where the sciences, arts, humanities and performance are equally at home. EVA London 2013 presents 66 papers and abstracts from 15 countries, by researchers inside and outside academia, from graduate artists, PhD students, seasoned industry professionals, established scholars and senior researchers, who value EVA London for its interdisciplinary community. This year, the conference features three keynote speakers: Prof. Steve DiPaola from Simon Fraser University (Canada); Prof. Linda Candy from the University of Technology (Australia); and Don McIntyre from the Glasgow School of Arts (United Kingdom).

            The proceedings has resulted from a highly selective peer review process, fitting as many excellent submissions as possible into the limited timetable of the conference. The papers cover digital culture and creativity, museum studies, digital enhanced reality, computer arts, 3D modelling, emotion, haptic, mobile, cross-media, multimodal interactivities and performances, as well as many other interdisciplinary areas.

            EVA London is part of a larger network of EVA international conferences. In the past twenty years, EVA events have been held in Athens, Beijing, Berlin, Brussels, California, Cambridge (both UK and USA), Dallas, Delhi, Edinburgh, Florence, Gifu (Japan), Glasgow, Harvard, Jerusalem, Kiev, Laval, London, Madrid, Montreal, Moscow, New York, Paris, Prague, Thessaloniki, and Warsaw. Further venues for EVA conferences are very much encouraged by the EVA community.

            Main article text


            Digital enhanced reality

            Martha Henson, Alex Butterworth and Danny Birchall Creating Magic on Mobile http://dx.doi.org/10.14236/ewic/EVA2013.1

            Tula Giannini Visualizing Brooklyn: the Brooklyn Visual Heritage Website http://dx.doi.org/10.14236/ewic/EVA2013.2

            Oliver Gingrich, Eugenia Emets and Alain Renaud Enhancing Presence - Immersive Sound Environments as Presence Generating Factor http://dx.doi.org/10.14236/ewic/EVA2013.3


            Steve DiPaola Future trends: Adding Computational Intelligence, Knowledge and Creativity to Interactive Exhibits and Visualisation Systems http://dx.doi.org/10.14236/ewic/EVA2013.4

            Computer arts

            Steve DiPaola and Allison Smith Interactively Exploring Picasso's Multi-diamentional Creative Process in Producing Guernica http://dx.doi.org/10.14236/ewic/EVA2013.5

            Pattarawut Subyen, Thecia Schiphorst and Philippe Pasquier EMVIZ (flow): An Artistic Tool for Visualising Movement Quality http://dx.doi.org/10.14236/ewic/EVA2013.6

            Joanne Armitage and Kia Ng Multimodal Music Composition http://dx.doi.org/10.14236/ewic/EVA2013.7

            Tom Scholfield Neurotic Armageddon Indicator: A Data Sculpture http://dx.doi.org/10.14236/ewic/EVA2013.8

            Research workshop

            Atif Akin User Frames in Media Arts http://dx.doi.org/10.14236/ewic/EVA2013.9

            Rehan Zia Corfe Castle - In a Different Light http://dx.doi.org/10.14236/ewic/EVA2013.10

            Carl H Smith Experience Communication through Post Digital Design http://dx.doi.org/10.14236/ewic/EVA2013.11

            Pierre-Francois Gerard ArchiMemory http://dx.doi.org/10.14236/ewic/EVA2013.12

            Min Zhang 'A is for Art' - Draw Paintings in You Mind http://dx.doi.org/10.14236/ewic/EVA2013.13

            Ezwan M.Mokhtar and Marco Gillies How I Animate: An Hand Guesture-Centric Technique http://dx.doi.org/10.14236/ewic/EVA2013.14

            Nanette Hoogslag (Reinventing) Editorial Illustration in Online News Media http://dx.doi.org/10.14236/ewic/EVA2013.15

            Data visualisation

            Florian Kräutli and Stephen Boyd Davis Known Unknowns: Representing Uncertainty in Historical Time http://dx.doi.org/10.14236/ewic/EVA2013.16

            Carina E.I. Westling, Leon Barker, Aoife Healy, Robert Needham, Harry J. Witchel and Nachiappan Chockalingham Spatial Data Correlation: An interactive 3D visualisation tool for correlating the motion cature data streams from different devices http://dx.doi.org/10.14236/ewic/EVA2013.17

            Jen Southern and Chris Speed Shared distance: The Poetry of Data in Collaborative GPS Visualisations http://dx.doi.org/10.14236/ewic/EVA2013.18

            Music and performance

            Gavin Wood and Aeron Buchanan Introducing the Music Access Platform http://dx.doi.org/10.14236/ewic/EVA2013.19

            Rebecca Carter, Thomas McKenzie, Lawrence Sarker and Kia Ng From Seeing to Feeling Sound: A Multimodal Interface for Trans-Domain Mapping of Sound http://dx.doi.org/10.14236/ewic/EVA2013.20

            Marco Gillies, Shakti Zapata Gomez and Sebastian Zimmer Suzie's Dance: Reliving Dance through Motion Capture Animation of Photographs http://dx.doi.org/10.14236/ewic/EVA2013.21

            Elisa Sereno-Janz FiddleLights: Kinetic Signatures of the Bow Hand - Visualising Fiddle Tunes and Contemporary Violin Performance http://dx.doi.org/10.14236/ewic/EVA2013.22


            Tara Daniel, Linsey Pollak and Michelle Williamson The Sound Playground http://dx.doi.org/10.14236/ewic/EVA2013.23

            Museums, libraries and archives

            Tessa Morrison, Helen Giggins and Nicholas Foulcher Timeline Newcastle: Reconstructing Industrial Newcastle - Implementation and Exhibition http://dx.doi.org/10.14236/ewic/EVA2013.24

            Eoin Kilfeather Visualising Museum stories http://dx.doi.org/10.14236/ewic/EVA2013.25

            Katina Hazelden, Matthew Yee-King, Roberto Confalonieri, Fiammetta Ghedini, Carles Sierra and Mark d'Inverno WeCurate: Enriching the Sociocultural Practices of the Museum Experience http://dx.doi.org/10.14236/ewic/EVA2013.26

            Art and electronics

            Frauke Zeller and David Harris Smith My kulturBOT 1.0 http://dx.doi.org/10.14236/ewic/EVA2013.27

            Suk Kyoung Choi and Steve DiPaola How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity http://dx.doi.org/10.14236/ewic/EVA2013.28

            Jerome J.Leary Development of Portable Painting Format for CNC Painting http://dx.doi.org/10.14236/ewic/EVA2013.29


            Linda Candy Creativity and Evaluation: Supporting Practice and Research in the Interactive Arts http://dx.doi.org/10.14236/ewic/EVA2013.30

            Scientific visualisation

            Diana Marques, Robert Costello and José Azevedo Augmented Reality Facilitating Visual Literacy for Engagement with Science in Museums http://dx.doi.org/10.14236/ewic/EVA2013.31

            Augoustinos Tsiros The Dimensions and Complexities of Audio-Visual Association http://dx.doi.org/10.14236/ewic/EVA2013.32

            Mieke Pfarr-Harfst Virtual Scientific Models http://dx.doi.org/10.14236/ewic/EVA2013.33

            Ed Cookson and Will Case London 2012 Olympic and Paralympic Opening and Closing Ceremonies: Audience Pixel Content http://dx.doi.org/10.14236/ewic/EVA2013.34

            Built and natural environment

            Simone Helena Tanoue Vizioli, Joubert José Lancha and Paulo César Castral Drawing and Surface: Freehand Architectural Drawing Mediated by Digital http://dx.doi.org/10.14236/ewic/EVA2013.35

            Vajira Premadasa and Michael Pearce Digital Visualisation and Design Development in Historic Building Projects http://dx.doi.org/10.14236/ewic/EVA2013.36

            Tessa Morrison Utopian Cities from 15th to 19th Century Literature: A Philosophical Investigation through 3-D Visualisation http://dx.doi.org/10.14236/ewic/EVA2013.37


            Mel Woods, Hadi Mehrpouya and Jamie Forth Booksight: Visualising the Library of Ideas http://dx.doi.org/10.14236/ewic/EVA2013.38

            Rebecca Holderness and Matthew Russell Learning to Think and Create Outside the Box: Using Digital Media in a Blended Theatre Course http://dx.doi.org/10.14236/ewic/EVA2013.39

            Marianne Markowski and Dominique Rivoal Teletalker - Making Online Face-to-Face Interaction Easier for Older People http://dx.doi.org/10.14236/ewic/EVA2013.40


            Carol MacGillivray, Bruno Mathez and Frederic Fol Leymarie The Diasynchronoscope Project: Investigations in Screen-less Apparant Motion http://dx.doi.org/10.14236/ewic/EVA2013.41

            Museums, Libraries and Archives

            Eva Van Passel and Olga Van Oost On Convergence and Open Data: Challenges for Libraries, Archives and Museums http://dx.doi.org/10.14236/ewic/EVA2013.42

            Irida Ntailla Haptic Interactions through Touch-Screen Interfaces http://dx.doi.org/10.14236/ewic/EVA2013.43


            Jazz Rasool Advancing Traditional Relevance Based Social Networking to Resonance Driven Social Fieldworking using Mindfulness Visualisation http://dx.doi.org/10.14236/ewic/EVA2013.44

            Lucie Hernandez Exploring the Infographic: Designing our Digital Selves http://dx.doi.org/10.14236/ewic/EVA2013.45

            Motion and Performance

            Ian Grant Surfaces and Shadows: Digital Shadow Puppetry and Augmented Silhouette Performance http://dx.doi.org/10.14236/ewic/EVA2013.46

            Paula Varanda Body and Movement Visualisations in New Media Dance http://dx.doi.org/10.14236/ewic/EVA2013.47

            Kelly Hamilton Mapping Motion: The Principles of Motion Capture and the Law of Projection http://dx.doi.org/10.14236/ewic/EVA2013.48


            Don McIntyre Open Locast: How MIT's evolving media platform is being used to improve connections between people and their social, cultural, and physical spaces http://dx.doi.org/10.14236/ewic/EVA2013.49


            Derek J.Smith The Cognitive Science of Aesthetic Interaction http://dx.doi.org/10.14236/ewic/EVA2013.50


            Gareth Beale, Nicole Beale, Ian Dawson and Louisa Minkin Making Digital: Visual Approaches to the Digital Humanities http://dx.doi.org/10.14236/ewic/EVA2013.51

            W.Ryan Dodge and Laura Haapio-Kirk The Sharypic PhotoWall at the Royal Ontario Museum: An experiment in real-time crowdsourcing http://dx.doi.org/10.14236/ewic/EVA2013.52

            Ileana Maris, Ard Huizing, Wim Bouman and Marijke Ooserbroek The Curious Case of Design Thinking in Museums http://dx.doi.org/10.14236/ewic/EVA2013.53


            Brian Wichmann and Tony Lee Analysis and Synthesis of Islamic Geometric Designs http://dx.doi.org/10.14236/ewic/EVA2013.54

            Computer Arts

            John Hillman Ten Things to Take: A community education project to re-image space place & memory using digital photography http://dx.doi.org/10.14236/ewic/EVA2013.55

            Karl Harrison, Jonathan P. Bowen and Alice M. Bowen Electronic Visualisation in Chemistry: from Alchemy to Art http://dx.doi.org/10.14236/ewic/EVA2013.56

            Valerie Mace Re-imaging the Environment http://dx.doi.org/10.14236/ewic/EVA2013.57

            Hans-Peter Gasselseder Re-orchestrating Game Drama: The Immersive Experience of Dynamic Music in Video Games http://dx.doi.org/10.14236/ewic/EVA2013.58

            Seeing music and performance

            Camille Baker Open-source, Custom Interfaces and Devices with Live Coding in Participatory Performance http://dx.doi.org/10.14236/ewic/EVA2013.59

            Camille Baker and Kate Sicchio Hacking the Body http://dx.doi.org/10.14236/ewic/EVA2013.60

            Anna Shvets Interactive Application for Visualisation of the Form of Written Postmodern Music http://dx.doi.org/10.14236/ewic/EVA2013.61


            Flavia Caviezel RhyCycling - Fluid Borderland http://dx.doi.org/10.14236/ewic/EVA2013.62

            Amy Cunningham Oracle: The Articulation of Promise http://dx.doi.org/10.14236/ewic/EVA2013.63

            Ernest Edmonds Shaping Form Sussex (the movie) http://dx.doi.org/10.14236/ewic/EVA2013.64

            Jing Zhou Interactive Book of Changes - 'I Ching' http://dx.doi.org/10.14236/ewic/EVA2013.65

            Jing Zhou Living Mandala {interactive art project} http://dx.doi.org/10.14236/ewic/EVA2013.66

            Author and article information

            July 2013
            July 2013
            Copyright @ 2013

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2013)
            London, UK
            29 - 31 July 2013
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts

            1477-9358 BCS Learning & Development

            Self URI (journal page): https://ewic.bcs.org/
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction


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