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      Electronic Visualisation and the Arts (EVA 2014) - Index

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      Electronic Visualisation and the Arts (EVA 2014) (EVA)
      Electronic Visualisation and the Arts
      8 - 10 July 2014


            The Electronic Visualisation and the Arts London 2014 conference (EVA London 2014) is co-sponsored by the Computer Arts Society (CAS) and British Computer Society (BCS) - the Chartered Institute for IT, of which the CAS is a specialist group. 2014 marks the 25th Anniversary of EVA London. Over the last two decades, the EVA conference has established itself as one of London’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers in this volume touch on music, performance, electronic art, imaging technology, medical visualisation, museums and their collections, virtual communities, landscape visualisation, augmented reality, 3D imaging, interfaces, and enhanced reality, as well as other areas. The latest research by established scholars, early career researchers, practitioners, and students can be found here.

            For more information about EVA 2014, visit www.eva-london.org or search on Twitter for EVALondonConf.

            2014 marks the 25th Anniversary of EVA London! Over the last two decades, the EVA London conference on Electronic Visualisation and the Arts has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences. It brings together a wide range of research domains to celebrate a diverse range of interests with a specialised focus on visualisation.

            The EVA London 2014 conference presents a wide spectrum of papers, presentations, demonstrations, a research workshop and a special pre-conference event: “V&A Digital Futures meets EVA London”. It is a forum where the sciences, arts, humanities, and performance, are equally at home. EVA London 2014 presents 76 papers and abstracts from 24 countries, by researchers inside and outside academia, from graduate artists, PhD students, seasoned industry professionals, established scholars, and senior researchers, who value EVA London for its interdisciplinary community. This year, the conference features three keynote speakers: Prof. Sally-Jane Norman from the Attenborough Centre for the Creative Arts, University of Sussex; Dr Lizzie Jackson from Ravensbourne; and Tom Wickham-Jones from Wolfram Research.

            The proceedings has resulted from a highly selective peer review process, fitting as many excellent submissions as possible into the limited timetable of the conference. The papers in this volume touch on music, performance, electronic art, imaging technology, medical visualisation, museums and their collections, virtual communities, landscape visualisation, augmented reality, 3D imaging, interfaces, and enhanced reality, as well as other interdisciplinary areas.

            EVA London is part of a larger network of EVA international conferences. In the past twenty years, EVA events have been held in Athens, Beijing, Berlin, Brussels, California, Cambridge (both UK and USA), Dallas, Delhi, Edinburgh, Florence, Gifu (Japan), Glasgow, Harvard, Jerusalem, Kiev, Laval, London, Madrid, Montreal, Moscow, New York, Paris, Prague, Thessaloniki, and Warsaw. Further venues for EVA conferences are very much encouraged by the EVA community.

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            Seeing music and performance

            Alexander Deweppe, Nuno Diniz, Pieter Coussement and Marc Leman Engaging Audiences through a Participatory Design Approach with the Interactive Music Installation 'SoundField' http://dx.doi.org/10.14236/ewic/EVA2014.1

            Anna Shvets and Charles de Paiva Santana Modelling Arvo Pärt's Music with OpenMusic http://dx.doi.org/10.14236/ewic/EVA2014.2

            Kia Ng, Joanne Armitage and Alex McLean The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour Mapping http://dx.doi.org/10.14236/ewic/EVA2014.3


            Sally Jane Norman Live Engagement with Data http://dx.doi.org/10.14236/ewic/EVA2014.4

            Electronic art

            João dos Santos Moving Drawings. A Digital Mediation for the Linear Drawing Metaphor: the Line as the Trace Left by a Moving Point (Rawson) http://dx.doi.org/10.14236/ewic/EVA2014.5

            Iris Asaf The Poetic and the Thoughtful: The Creative Poiesis of Algorithmic Art and Design http://dx.doi.org/10.14236/ewic/EVA2014.6

            Michael Lesk and Annamarie Klose Summarising Pictures http://dx.doi.org/10.14236/ewic/EVA2014.7

            Eunice Goncalves Duarte X Stories of a Technology Breakdown: How Digital Tools Influence Aesthetic and Artistic Options http://dx.doi.org/10.14236/ewic/EVA2014.8

            Imaging technology for culture

            David Lyons and David R. Flatla Eye For An Eye http://dx.doi.org/10.14236/ewic/EVA2014.9

            Francesca Uccheddu, Anna Pelagotti, Vito Cappellini and Emanuela Massa 3D Technologies for Measurement of Painting Surface Deformations: A Case Study http://dx.doi.org/10.14236/ewic/EVA2014.10

            Clare Brennan and Lynn Parker Animating Dance and Dancing with Animation: A Retrospective of Forever Falling Nowhere http://dx.doi.org/10.14236/ewic/EVA2014.11


            Lee Wagstaff Transforming Photographs into Sculptures http://dx.doi.org/10.14236/ewic/EVA2014.12

            Visualising the body

            Xin Tong, Diane Gromala, Chris Shaw and Patrick Clarke Transformation between Electronic Arts and Chronic Pain: Long-term Body Activity Data Visualisation and Pain Animation Expression http://dx.doi.org/10.14236/ewic/EVA2014.13

            Jiann Hughes BB got your Beat: Visualising Heartbeats within a Biosensing Artwork http://dx.doi.org/10.14236/ewic/EVA2014.14

            Angela Chang, Selene Mota and Henry Lieberman GestureNet: A Common Sense Approach to Physical Activity Similarity http://dx.doi.org/10.14236/ewic/EVA2014.15


            Licia Calvi, Hans Bouwknegt, Moniek Hover, Frank Ouwens, Juriaan van Waalwijk and Albert van Schendel Experiencing Van Gogh’s Heritage: A Case Study http://dx.doi.org/10.14236/ewic/EVA2014.16

            Laura Carletti, Dominic Price, Gabriella Giannachi, Rebecca Sinker, Derek McAuley and John Stack Art Maps - Putting the Tate Collection on the Map http://dx.doi.org/10.14236/ewic/EVA2014.17

            Research workshop

            Elena Gaevskaya and Tayanan Laska Ways of Access to Virtual Cultural Heritage http://dx.doi.org/10.14236/ewic/EVA2014.18

            Elke Reinhuber Counterfactuals in Media Arts http://dx.doi.org/10.14236/ewic/EVA2014.19

            Lorna Moore In[bodi]mental: Body Swapping - A Choreography of Shared Selves using Real-time Video http://dx.doi.org/10.14236/ewic/EVA2014.20

            Beth Woodward Alvarez and Ramon Palau The Performance Effects of Online Video Tutorials on Secondary School String Orchestra Students http://dx.doi.org/10.14236/ewic/EVA2014.21

            Rehan Zia Tonemapping Multi-shot Digital Photographs of Real World Environments http://dx.doi.org/10.14236/ewic/EVA2014.22

            Hannah L. Jacobs Visualising the New Woman http://dx.doi.org/10.14236/ewic/EVA2014.23

            Beatrice Bretherton and Roger Watt Music and Motion http://dx.doi.org/10.14236/ewic/EVA2014.24

            James Rosindell Big Data Visualisation with Fractal Geometry http://dx.doi.org/10.14236/ewic/EVA2014.25

            Anna Nazarova How can Typography be Represented in an Alter-modernity Context? http://dx.doi.org/10.14236/ewic/EVA2014.26

            Clare Plumley Brain in Pain: Body Mapping, Pain Visualisation and Mapping the Invisible http://dx.doi.org/10.14236/ewic/EVA2014.27

            Leonie Dunlop Beasts and Bodies: Visualising the Landscape through Place-names http://dx.doi.org/10.14236/ewic/EVA2014.28

            Dion Rezki Socio-digital-visualisations as Positive-reinforcement Mechanisms for Encouraging Pro-social and Constructive Behaviours http://dx.doi.org/10.14236/ewic/EVA2014.29

            Museums and collections

            Suzanne Keene Museums and the Digital: The View from the Micro Gallery http://dx.doi.org/10.14236/ewic/EVA2014.30

            Alison Taubman Cybraphon: Collecting the Physical or the Digital at National Museums Scotland? http://dx.doi.org/10.14236/ewic/EVA2014.31

            Derek J. Smith Trench Gothic: The Computer Visualisation of a Disturbing Great War Artwork http://dx.doi.org/10.14236/ewic/EVA2014.32


            Lizzie Jackson 'Findability': A Central Issue for Quality Media in a Networked World http://dx.doi.org/10.14236/ewic/EVA2014.33

            Communities and the digital

            Camille C. Baker ICT&ART Connect: Connecting ICT & Art Communities - Early Outcomes http://dx.doi.org/10.14236/ewic/EVA2014.34

            Angela Chang, Lidet Tilahun and Cynthia Breazeal Visualisations of Data from the Literacy Tablet Reading Project in Rural Ethiopia http://dx.doi.org/10.14236/ewic/EVA2014.35

            Moshe Caine, Eyal Tagar and Idit Ben Or Unfolding Communities: Imaging the Past, Envisioning the Future http://dx.doi.org/10.14236/ewic/EVA2014.36

            Joanna Moll Surveillance through Social Networks along the US-Mexico Board http://dx.doi.org/10.14236/ewic/EVA2014.37


            Lampros Stergioulas, Munir Abbasi and Carl Smith Technology Futures for the Creative Industries: Presenting the Cr-eAM Roadmaps http://dx.doi.org/10.14236/ewic/EVA2014.38

            Visualising landscapes

            Kieran Baxter Grounding the Aerial: The Observer's View in Digital Visualisation for Built Heritage http://dx.doi.org/10.14236/ewic/EVA2014.39

            Daniel Buzzo Time Travel: Time Dilation http://dx.doi.org/10.14236/ewic/EVA2014.40

            Stuart Dunn Crowd-Sourced Cartography to Visualise the Forgotten: Mapping Britain's Corpse Roads http://dx.doi.org/10.14236/ewic/EVA2014.41

            Tessa Morrison and Mark Rubin Using Visualisation to Test Historical Utopian Cities on a Modern Audience http://dx.doi.org/10.14236/ewic/EVA2014.42


            Cameron Beckfield and J C Diaz Tulsa's Art Deco Cross-Platform Mobile Tour App http://dx.doi.org/10.14236/ewic/EVA2014.43

            Amy Robinson The Zandra Rhodes Digital Study Collection Project at the University for the Creative Arts http://dx.doi.org/10.14236/ewic/EVA2014.44


            Jonathan Weinel, Stuart Cunningham, Nathan Roberts, Shaun Roberts and Darryl Griffiths EEG as a Controller for Psychedelic Visual Music in an Immersive Dome Environment http://dx.doi.org/10.14236/ewic/EVA2014.45

            Toby Gifford, Simon Linke and Leah Barclay Listening to the Thames http://dx.doi.org/10.14236/ewic/EVA2014.46

            Imaging, music and performance

            Lindsay MacDonald, Ali H. Ahmadabadian, Stuart Robson and Ian Gibb High Art Revisited: A Photogrammetric Approach http://dx.doi.org/10.14236/ewic/EVA2014.47

            Helena Bisby, Adam Cooper, Stephen James, Alec Robertson and Kia Ng A Tactile Audio Visual Instrument using Sound Source Localisation http://dx.doi.org/10.14236/ewic/EVA2014.48

            Damian Keller, Nuno Otero, Victor Lazzarini, Marcelo Soares Pimenta, Maria Helena de Lima, Marcelo Johann and Leandro Costalonga Relational Properties in Interaction Aesthetics: The Ubiquitous Music Turn http://dx.doi.org/10.14236/ewic/EVA2014.49

            Kia Ng, Alex McLean and Alan Marsden Big Data Optical Music Recognition with Multi Images and Multi Recognisers http://dx.doi.org/10.14236/ewic/EVA2014.50


            Chiara Passa The Widget Art Gallery http://dx.doi.org/10.14236/ewic/EVA2014.51

            Frederico Visi, Duncan Williams, Eduardo Miranda and Giovanni Dothel An Immersive Media Model of Amyotrophic Lateral Sclerosis http://dx.doi.org/10.14236/ewic/EVA2014.52

            Terry Trickett Visual Music http://dx.doi.org/10.14236/ewic/EVA2014.53


            Leigh Garrett, Robin Burgess, Amy Robinson and Anne Spalding Exploring Research Data Management in the Visual Arts http://dx.doi.org/10.14236/ewic/EVA2014.54

            EVA London birthday panel

            James R. Hemsley Twenty Five Years Ago: Still Looking at the Future http://dx.doi.org/10.14236/ewic/EVA2014.55

            Augmented reality

            Kevin Whiteside, Gentry Atkinson, Mary Mikel Stump, Dan Tamir and Grayson Lawrence Musing: Adaptable Mobile Augmented Reality Application for Museums and Art Galleries http://dx.doi.org/10.14236/ewic/EVA2014.56

            Roma Patel and Deborah Tuck Narrative Approaches to Design Multi-screen Augmented Reality Experiences http://dx.doi.org/10.14236/ewic/EVA2014.57

            Carl H. Smith Context Engineering Hybrid Spaces for Perceptual Augmentation http://dx.doi.org/10.14236/ewic/EVA2014.58


            Tom Wickham-Jones Exploring the Beauty of Mathematics with Mathematica http://dx.doi.org/10.14236/ewic/EVA2014.59

            3D imaging

            Jeni Maleshkova and Matthew Purver Beyond the White Cube: Presentation of Visual Art in Interactive 3D Environments http://dx.doi.org/10.14236/ewic/EVA2014.60

            Hartmut Schwandt and Joachim Weinhold 3D Technologies for Museums in Berlin http://dx.doi.org/10.14236/ewic/EVA2014.61

            Bernd Breuckmann 25 Years of High Definition 3D Scanning: History, Start of the Art, outlook http://dx.doi.org/10.14236/ewic/EVA2014.62

            Martin Doerr, Ioannis Chrysakis, Anastasia Axaridou, Maria Theodoridou, Christos Georgis and Emmanuel Maravelakis A Framework for Maintaining Provenance Information of Cultural Heritage 3D-models http://dx.doi.org/10.14236/ewic/EVA2014.63


            Renick Bell Data Visualisation Tools for Enhancing Live Coding Usability and Audience Experience http://dx.doi.org/10.14236/ewic/EVA2014.64

            David Bouchard Data Materiality http://dx.doi.org/10.14236/ewic/EVA2014.65

            Kristina Mettus and Anna Nazarova Fundamental Research in Cosmoparticle Physics and the Visualisation: Symbiosis or graphics and conceptualisation http://dx.doi.org/10.14236/ewic/EVA2014.66

            Jeremy C. Creasey Creating Pictures in Quick Response Codes http://dx.doi.org/10.14236/ewic/EVA2014.67


            Franco Niccolucci and Paola Ronzino Learning Opportunities for Sharing Data in the ARIADNE Project http://dx.doi.org/10.14236/ewic/EVA2014.68


            Oliver Gingrich, Evgenia Emets and Alain Renaud Transmission - Sonifying, Visualising and Analysing Neural Activity through Telepresence http://dx.doi.org/10.14236/ewic/EVA2014.69

            Calliope Georousi Innovating iTV Browsing: Designing an Affective Search Engine http://dx.doi.org/10.14236/ewic/EVA2014.70

            Murat Germen The Unstoppable Rise of Mobile Imaging and Aesthetics http://dx.doi.org/10.14236/ewic/EVA2014.71

            Ajay Kumar Tiwari Visualisation Strategies in Abstract Animation http://dx.doi.org/10.14236/ewic/EVA2014.72


            Andre Murnieks Connecting with Users through Interactive Prototyping: Understanding User Behaviour through Building the Black Box and its Electronic Innards http://dx.doi.org/10.14236/ewic/EVA2014.73

            Gretchen Andrus Andrew Wearable Technology and Electronic Visualisation of Artistic Process: Google Glass meets Fine Art Painting http://dx.doi.org/10.14236/ewic/EVA2014.74

            Digital enhanced reality

            Rikke Schmidt Kjærgaard and Ebbe Sloth Andersen Seeing Streptococcus pneumoniae, a Common Killer Bacteria http://dx.doi.org/10.14236/ewic/EVA2014.75

            Jonathan P. Bowen and Tula Giannini Digitalism: The New Realism? http://dx.doi.org/10.14236/ewic/EVA2014.76

            Author and article information

            July 2014
            July 2014
            Copyright @ 2014

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2014)
            London, UK
            8 - 10 July 2014
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts

            1477-9358 BCS Learning & Development

            Self URI (journal page): https://ewic.bcs.org/
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction


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