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      Electronic Visualisation and the Arts (EVA 2019) (EVA)
      Electronic Visualisation and the Arts
      8 - 12 July 2019
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            Abstract

            Main article text

            Acknowledgements

            EVA London 2019 gratefully acknowledges:

            • BCS, The Chartered Institute for IT for hosting EVA London 2019 at its central London office, and BCS Computer Arts Society (CAS) Specialist Group for providing bursaries. Special thanks go to Kerry Wear and Sallyann Cossey at the BCS, for help with budgeting, registration, and venue and speaker arrangements, as well as Becky Youe and Florence Leroy of the BCS Electronic Workshops in Computing (eWiC) series, for support with the printed and online conference proceedings.

            • The Anthill Social and Tom Keene for website hosting and support.

            • Royal College of Art, for providing the venue of Event Two.

            Thank you to staff at the BCS London office for help with IT and other support.

            Thanks to all the speakers and participants for making the EVA London conference a continuing success.

            Preface

            The Electronic Visualisation and the Arts London 2019 Conference (EVA London 2019) is co-sponsored by the Computer Arts Society (CAS) and BCS, the Chartered Institute for IT, of which the CAS is a Specialist Group. 2019 marks the 50th anniversary of Event One, an early digital art exhibition held at the Royal College of Art in 1969.

            Over recent decades, the EVA London Conference on Electronic Visualisation and the Arts has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences. It brings together a wide range of research domains to celebrate a diverse set of interests, with a specialised focus on visualisation.

            The papers and extended abstracts in this volume cover varied topics concerning the arts, visualisations, and IT, including 3D graphics, animation, artificial intelligence, creativity, culture, design, digital art, heritage, literature, museums, music, philosophy, politics, publishing, social media, and virtual reality, as well as other related interdisciplinary areas.

            The EVA London 2019 Conference presents a wide spectrum of papers, presentations, demonstrations, a Research Workshop and a special halfday event for the fourth year, the EVA London Symposium on 8 July 2019, with three invited speakers.

            This year, Event Two, an exhibition of digital art, is being held in association with the EVA London 2019 Conference at the Royal College of Art, with CAS, FLUX group, and Lumen Prize involvement, celebrating the 50th anniversary of Event One, held at the same venue in 1969. The conference also includes a launch of the book Museums and Digital Culture (partly inspired by EVA London) and a special China session with a cultural evening event, organised by Sean Clark.

            A feature of EVA London 2019, started last year, is a Research in Education Day on 12 July 2019, immediately after the main conference, bringing together students and associated staff from universities in the London area to enable presentations and networking.

            As in previous years, there is a Research Workshop running in parallel with other conference sessions, this year on the afternoon of the first day, to encourage postgraduate student participation. Presenters at the Research Workshop are offered bursaries for free attendance on that day. Several other bursaries are also available to encourage attendance by those with no other source of funding (especially independent artists contributing to the conference). For example, this year EVA London is again liaising with FLUX, a London-based artists group.

            EVA London 2019 presents papers and abstracts from international researchers inside and outside academia, from graduate artists, PhD students, seasoned industry professionals, established scholars, and senior researchers, who value EVA London for its interdisciplinary community. This year, the conference again features three keynote talks, one on each day of 9–11 July 2019.

            This publication has resulted from a selective peer review process, fitting as many excellent submissions as possible into the limited timetable of the conference. This year, submission numbers were similar to the high numbers in 2017 and 2018, with an excellent standard overall, so it is pleasing to have so many good proposals from which to select the programme.

            EVA London is part of a larger network of EVA international conferences. In the past, EVA events have been held in Athens, Beijing, Berlin, Brussels, California, Cambridge (both UK and USA), Canberra, Copenhagen, Dallas, Delhi, Edinburgh, Florence, Gifu (Japan), Glasgow, Harvard, Jerusalem, Kiev, Laval, London, Madrid, Montreal, Moscow, New York, Paris, Prague, St Petersburg, Thessaloniki, and Warsaw. In particular, EVA Paris restarted in 2018 and continues in 2019. Further venues for EVA conferences are very much encouraged by the EVA community.

            Committee

            EVA London 2019 Conference Chair: Graham Diprose

            BCS CAS Chair: Nick Lambert

            EVA London 2019 Programme Co-Chairs: Jon Weinel

            Jonathan P. Bowen

            Graham Diprose

            Nick Lambert

            EVA London 2019 Symposium Co-Chairs: Tula Giannini

            Jonathan P. Bowen

            EVA London 2019 Research Workshop Chair: Graham Diprose

            EVA London 2019 China Evening Chair: Sean Clark

            EVA London 2019 Education Day Chair: Graham Diprose

            EVA London 2019 Publicity: Sarah McDaid

            EVA London 2019 Bursaries: Graham Diprose

            EVA London 2019 Website: Jonathan P. Bowen

            EVA London 2019 Technical Support: BCS, The Chartered Institute for IT

            Event Two Local Organiser: Gareth Polmeer

            EVA London Honorary Chair: James Hemsley

            EVA London Honorary Committee Member: George Mallen

            EVA London 2019 Organising Committee:

            Jonathan P. Bowen London South Bank University

            Sean Clark Interact Digital Arts

            Graham Diprose Independent

            Tula Giannini Pratt Institute, New York

            Francesca Guerrera Independent

            Christina Hemsley Independent

            James Hemsley Birkbeck College

            Lizzie Jackson London South Bank University

            Nick Lambert Ravensbourne University London

            Sarah McDaid London South Bank University

            Gareth Polmeer Royal College of Art

            Aphra Shemza FLUX

            Carl Smith Ravensbourne University London

            Terry Trickett Trickett Associates

            Jon Weinel Coventry University

            List of Reviewers

            The people listed below reviewed submissions for the EVA London 2019 Conference and the Organising Committee is very grateful for their voluntary help in the selection process.

            EVA London 2019 Programme Committee:

            Otniel Altamirano Francesca Guerrera Ross Parry

            Doron Altaratz Oana Gui Mike Phillips

            Guy Armitage Kelly Hamilton Jeremy Pilcher

            Xavier Aure Bonnie Han Liviu Pop

            Isabel Bernal Susan Hazan Cristina Portugal

            Batuhan Bintas Christina Hemsley Sabrina Recoules Quang

            Stefania Boiano John Hillman Elke Reinhuber

            Christin Bolewski Richard Hoadley Alain Renaud

            Ann Borda Beverley Hood Esther Rolinson

            Jonathan P. Bowen J. Kirk Irwin Vasileios Routsis

            Beatrice Bretherton Sarah Janes Chris Rowland

            Bushra Burge Liam Jefferies Mechthild Schmidt Feist

            Daniel Buzzo Christina Kamposiori Benjamin Seide

            Moshe Caine Jonathan Kearney Jinsil Hwaryoung Seo

            Kristin Carlson Maureen Kendal Aphra Shemza

            Elisavet Christou Sara Khan Anna Shvets

            Sean Clark Jinhee Kim Rita Silva

            Richard Collmann Eugenia Kim James Simpson

            Ed Cookson Rameshnath Krishnasamy Carl Smith

            Greg Corness Volker Kuchelmeister Derek Smith

            Stuart Cunningham Teodora Kuzmanova Lydia Smolin

            Antonio D’Amato Nick Lambert Agata Marta Soccini

            Laura Dekker Michael Lesk Dario Srbic

            Florent Di Bartolo Robert Lisek Bertrand Triboulot

            J C Diaz Ziva Ljubec Terry Trickett

            Rod Dickinson Andy Lomas Francesca Uccheddu

            Graham Diprose Maria Luce Lupetti David Upton

            Alan Dunning Lindsay MacDonald Foteini Valeonti

            Eva Emenlauer-Bloemers Jon Malis Athanasios Velios

            Raffaella Folgieri Sarah McDaid Bruce Wands

            Francesca Franco Matthew McGinity Jon Weinel

            Giuliano Gaia Murray McKeich Ross Williams

            Philip Galanter Rebecca Norris Chris A. Wright

            Joanna Gancarczyk Irida Ntalla Özge Nilay Yalçın

            Carla Gannis Teresa Numerico Frauke Zeller

            Tula Giannini Paul O’Dowd Jing Zhou

            David Gibson Anna Olszewska Rehan Zia

            Oliver Gingrich Shing-Tai Pan Tobias Ziegler

            Eunice Gonçalves Duarte Juhee Park

            Papers:

            Symposium

            Jonathan P Bowen, Tula Giannini, Rachel Ara, Andy Lomas & Judith Siefring Digital Art, Culture and Heritage: New constructs and consciousness http://dx.doi.org/10.14236/ewic/EVA2019.1

            Renato Saleri Digital Generative Tools for Restitution and Mediation for Cultural Heritage http://dx.doi.org/10.14236/ewic/EVA2019.2

            Stefania Boiano, Ann Borda & Guiliano Gaia Participatory Innovation and Prototyping in the Cultural Sector: A case study http://dx.doi.org/10.14236/ewic/EVA2019.3

            Tula Giannini & Jonathan P Bowen Art and Activism at Museums in a Post-digital World http://dx.doi.org/10.14236/ewic/EVA2019.4

            Maribel Hidalgo Urbaneja Narrative Interfaces: Temporality and spatiality in art museums’ online resources http://dx.doi.org/10.14236/ewic/EVA2019.5

            Visual Patterns

            Esther Rolinson & Sean Clark Sensory Drawing Data http://dx.doi.org/10.14236/ewic/EVA2019.6

            Naomi Dines & Dom Biddulph Creative Reverse Engineering: From remote sensuality to haptic metrology http://dx.doi.org/10.14236/ewic/EVA2019.7

            Ashley St Aubin Climate Change: Outcomes of being bystanders in a global windstorm http://dx.doi.org/10.14236/ewic/EVA2019.8

            Research Workshop

            Emma Dutton Feeling Textures http://dx.doi.org/10.14236/ewic/EVA2019.9

            Leticia Crespillo Marí 3D Modelling and Virtual Reality as a Cataloguing Alternative of Light Environments and their Application in Museums http://dx.doi.org/10.14236/ewic/EVA2019.10

            Kazimir Bielecki & Lennie Varvarides What is the Neurodivergent Aesthetic? http://dx.doi.org/10.14236/ewic/EVA2019.11

            Chrissy Pretious-Cooney Experimenting with the Physicality of Digital Materiality http://dx.doi.org/10.14236/ewic/EVA2019.12

            Lydia Smolin Re-imagining the Familiar: Data visualisation in environmental art http://dx.doi.org/10.14236/ewic/EVA2019.13

            Han Bao ‘Rice Bunnies’ – #MeToo in China: A hashtag movement and women’s empowerment through social media http://dx.doi.org/10.14236/ewic/EVA2019.14

            Blair Zaye Awe, Wonderment and the Ominous: The crossroad of art, science, technology and the spiritual http://dx.doi.org/10.14236/ewic/EVA2019.15

            Enhancing the Past

            Graham Diprose & Amalia Toyas A 21st Century ‘Victorian’ Family Album http://dx.doi.org/10.14236/ewic/EVA2019.16

            Sean Clark The CAS50 Exhibition and Collection http://dx.doi.org/10.14236/ewic/EVA2019.17

            Robotic Drawing

            Paris Xyntarianos-Tsiropinas, Konstantinos Bailas & Thomas Spyrou Photon Painter: A robotic device that transfers drawings onto a large surface area using laser beam on photomechanical reaction materials http://dx.doi.org/10.14236/ewic/EVA2019.18

            Paul O’Dowd A Robot That Draws and Shades with Tactile Force Feedback Sensed Through a Pencil http://dx.doi.org/10.14236/ewic/EVA2019.19

            Verity Winslow, Paul O’Dowd, Ian Chamberlain & Carinna Parraman Robotic Etching: The creation of digital etching using robotics http://dx.doi.org/10.14236/ewic/EVA2019.20

            Jack Tait Near Chaos in Graphic Drawings from Analogue Machines http://dx.doi.org/10.14236/ewic/EVA2019.21

            Art and New Technology

            Philip Galanter Artificial Intelligence and Problems in Generative Art Theory http://dx.doi.org/10.14236/ewic/EVA2019.22

            Laura Dekker Emergence in the Expressive Machine http://dx.doi.org/10.14236/ewic/EVA2019.23

            Diverse Approaches

            Chris A Wright Listening to the Urban http://dx.doi.org/10.14236/ewic/EVA2019.24

            Zach Buckley Tackling the Issue of Student Debt Through Data Sonification and Musical Scores http://dx.doi.org/10.14236/ewic/EVA2019.25

            Karen Bosy & Cristina Portugal Multiple Means of Expression Made Available by Digital Media http://dx.doi.org/10.14236/ewic/EVA2019.26

            New Art Interfaces

            Clare Harding, Susan Liggett, Adrian Gradinar & Mark Lochrie What Do Audiences Want from a Public Art Gallery in the Digital Age? http://dx.doi.org/10.14236/ewic/EVA2019.27

            Ian Truelove This is Not a Pixel: Building trust in digital art through the blockchain http://dx.doi.org/10.14236/ewic/EVA2019.28

            Terence Quinn Making the Absent Object Present: Towards a holographic museum of modern art (hMoMA) http://dx.doi.org/10.14236/ewic/EVA2019.29

            Lila Moore Tombs and Reels of Consciousness: The aesthetics that interlink ancient ritualistic artefacts and digital, augmented and virtual reality http://dx.doi.org/10.14236/ewic/EVA2019.30

            Museums and Collections

            Sarah Janes The Descent of Inanna: The technology of myth http://dx.doi.org/10.14236/ewic/EVA2019.31

            Rameshnath Krishnasamy Towards Game-Guided Exploration Systems for Self-Facilitated Exhibitions http://dx.doi.org/10.14236/ewic/EVA2019.32

            Event Two Preview

            Aphra Shemza, Maria Almena & Oliver Gingrich Art in Flux at Event Two http://dx.doi.org/10.14236/ewic/EVA2019.33

            Reading the Past, Present and Future

            Lindsay MacDonald, Taylor Bennett, Christopher Ramsey & Charles Crowther New RTI Technology for Palæography http://dx.doi.org/10.14236/ewic/EVA2019.34

            Oliver Mag Gingrich, Urszula Tymoszuk, Evgenia Emets, Alain Renaud & David Negrao KIMA – The Voice: Participatory art as means for social connectedness http://dx.doi.org/10.14236/ewic/EVA2019.35

            Keynote

            Daniela de Paulis COGITO in Space http://dx.doi.org/10.14236/ewic/EVA2019.36

            Augmented Artworks

            Chris Strasbaugh How We Harnessed the Potential of UAV Imagery in the Classroom through VR and Other Technologies http://dx.doi.org/10.14236/ewic/EVA2019.37

            Christian Tilt, Stephanie Moran & Alexander Hogan Visual Democratisation: AR and the Underpass Festival http://dx.doi.org/10.14236/ewic/EVA2019.38

            Joseph Robson & Felix Dodd Augmenting the Power of Artwork Through a Virtual Reality Partnered Piece http://dx.doi.org/10.14236/ewic/EVA2019.39

            Johanna Leissner, Martin Papirowski, Ralf Schäfer, Oliver Schreer & Christian Weißig Virtual Heritage Expo: Joint presentation of research work and historic artefacts http://dx.doi.org/10.14236/ewic/EVA2019.40

            Extended Reality

            Carl H Smith & Jay F Cousins XR for XR – Context Craft: An extended reality platform that transforms local environments through play http://dx.doi.org/10.14236/ewic/EVA2019.41

            Kenneth Feinstein Being-with Media: Encountering the moving image in physical space http://dx.doi.org/10.14236/ewic/EVA2019.42

            Verda Munir, Euan Dempster & David Lyons Innovative Strategies for 3D Visualisation Using Photogrammetry and 3D Scanning for Mobile Phones http://dx.doi.org/10.14236/ewic/EVA2019.43

            Robert Pepperell, Alistair Burleigh, Nicole Ruta & Tony Langford FOVO: A flexible real-time computer graphics rendering process http://dx.doi.org/10.14236/ewic/EVA2019.44

            Wearables and Interactivity

            Roz McNulty Future Applications of Digital Clothing for Historical Costume: The past, present and future of fashion http://dx.doi.org/10.14236/ewic/EVA2019.45

            Kyungho Lee Developing Empathy for People with Bipolar Disorder Through Interactive Performance http://dx.doi.org/10.14236/ewic/EVA2019.46

            Jack Nissan, Luci Holland & Yann Seznec Room to Play: Tinderbox Collective http://dx.doi.org/10.14236/ewic/EVA2019.47

            Chinese Connections

            Eugenia S Kim Ghost in the Virtual Reality: Translating the human essence with motion captured dance http://dx.doi.org/10.14236/ewic/EVA2019.48

            Eugenia S Kim & Feixuan Xu Bringing the Tangible into the Virtual: Preserving human-silkworm collaboration http://dx.doi.org/10.14236/ewic/EVA2019.49

            Yisi Xue, Yarong Deng & Junming Liang A Interactive Display Form for Chinese Ink and Wash Painting Using Optical Laser Technique http://dx.doi.org/10.14236/ewic/EVA2019.50

            Ting Liang & Xiaoying Tang YUE Virtual Park: Multi-sensory experience creative cultural products based on AR technology http://dx.doi.org/10.14236/ewic/EVA2019.51

            Huan Fan The New “Theatricality” in Performance and Media Arts http://dx.doi.org/10.14236/ewic/EVA2019.52

            Sean Clark, Yi Ji, Xiaoying Tang & Hai Fang East Meets West: UK/China creative collaborations http://dx.doi.org/10.14236/ewic/EVA2019.53

            Remote Access

            Maureen Kendal, Mehmet Mulla & Elaine Thomazi-Freitas How Artists Can Develop Their Artwork, Its Market and Deliver Their Creative Content for Virtual Reality Environments? http://dx.doi.org/10.14236/ewic/EVA2019.54

            Luca M Damiani Hyperacusis Hacks: Media design ethnographic processing http://dx.doi.org/10.14236/ewic/EVA2019.55

            Jeremy Pilcher Art, Law and Unstable Corporate Identities http://dx.doi.org/10.14236/ewic/EVA2019.56

            Sound and Visualisation

            Jonathan Weinel Virtual Hallucinations: Projects in VJing, virtual reality and cyberculture http://dx.doi.org/10.14236/ewic/EVA2019.57

            Julie Watkins Interactive Visual Music http://dx.doi.org/10.14236/ewic/EVA2019.58

            Stuart Faromarz Batchelor A Framework for Future Paintings http://dx.doi.org/10.14236/ewic/EVA2019.59

            Anna Shvets Structural Harmony Method in the Context of Deep Learning on Example of Music by Valentyn Sylvestrov and Philipp Glass http://dx.doi.org/10.14236/ewic/EVA2019.60

            Danae lo Can Her Voice Crack? I am not sure I understand http://dx.doi.org/10.14236/ewic/EVA2019.61

            Rehan Zia Visualisation for Digital Multi-Shot Photography http://dx.doi.org/10.14236/ewic/EVA2019.62

            Stuart Cunningham Communicating Auditory Impairments Using Electroacoustic Composition http://dx.doi.org/10.14236/ewic/EVA2019.63

            Keynote

            Mark Grimshaw-Aagaard Sound and the Feeling of Presence http://dx.doi.org/10.14236/ewic/EVA2019.64

            Thinking Data

            James Simpson Physical to Digital to Physical: Capturing human performances for multi-disciplinary theatre visualisation http://dx.doi.org/10.14236/ewic/EVA2019.65

            Batuhan Bintaş Øresund Space Collective – Kybalion: A cyber-dimensional way to experience music http://dx.doi.org/10.14236/ewic/EVA2019.66

            Christopher E G Moore The Use of Human Brain Activity (Electroencephalogram) in the Making of Art http://dx.doi.org/10.14236/ewic/EVA2019.67

            Patterns in Music

            David Schwarz, Stuart Cunningham & Rebecca Woodford-Smith Towards a New Paradigm for Intuitive Theatrical Lighting Control http://dx.doi.org/10.14236/ewic/EVA2019.68

            Terry Trickett A Cybernetic Clarion Call to the Arts’ Community http://dx.doi.org/10.14236/ewic/EVA2019.69

            The Physicality of Data

            Andrei Budescu, Diana Dragan-Chirila, Oana Gui, Corneliu Dascălu, Miklos Uszkai & Mihai Simu Poetry Based 3D Printed Sculpture http://dx.doi.org/10.14236/ewic/EVA2019.70

            Megan L Smith & John Desnoyers-Stewart Riding Through Walls: A journey of physical computing through Google Street View http://dx.doi.org/10.14236/ewic/EVA2019.71

            Bushra Burge Creation of an Integrated Multisensory Wearable Story: Costume embedded haptics-VR using a considered eco-ethical design approach http://dx.doi.org/10.14236/ewic/EVA2019.72

            Experiential Data Perception

            Tony Langford Return to Nature: How media art heals? http://dx.doi.org/10.14236/ewic/EVA2019.73

            Claude Heiland-Allen At the Helm of the Burning Ship http://dx.doi.org/10.14236/ewic/EVA2019.74

            Hans-Peter Gasselseder & Maria Kallionpää Beyond the Audience Seat: The recording and production of immersive opera and interactive concerto programmes for VR experiences http://dx.doi.org/10.14236/ewic/EVA2019.75

            Research in Education

            Yi Ji Guangdong University of Technology, Graduate Education System http://dx.doi.org/10.14236/ewic/EVA2019.76

            John Fass, Nicolas Marechal & Henrietta Ross University of the Arts London, London College of Communication http://dx.doi.org/10.14236/ewic/EVA2019.77

            Author and article information

            Conference
            July 2019
            July 2019
            Article
            10.14236/ewic/EVA2019.0
            d4eca5ea-0538-4420-8bd0-57e29a430d52

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2019)
            EVA
            London, UK
            8 - 12 July 2019
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

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