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Theorizing Film Acting
“Brando Sings!”: The Invincible Star Persona
monograph
Publication date:
October 2 2012
Publisher:
Routledge
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There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
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Student Success
Author and book information
Book Chapter
Publication date:
October 2 2012
Pages
: 86-99
DOI:
10.4324/9780203123218-12
SO-VID:
34de8850-ae43-46a3-a639-f4223c3df241
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Book chapters
pp. 12
Introduction: Acting, Casually and Theoretically Speaking
pp. 29
Acting Matters: Noting Performance in Three Films
pp. 43
Living Meaning: The Fluency of Film Performance
pp. 57
Play-Acting: A Theory of Comedic Performance
pp. 72
Performed Performance and The Man Who Knew Too Much
pp. 86
“Brando Sings!”: The Invincible Star Persona
pp. 101
“Look at Me!”: A Phenomenology of Heath Ledger in The Dark Knight JÖRG STERNAGEL
pp. 115
Is Acting a Form of Simulation or Being? Acting and Mirror Neurons
pp. 128
The Bond That Unbinds by Binding: Acting Mythology and the Film Community
pp. 143
From Being to Acting: Performance in Cult Cinema
pp. 160
Acting and Performance in Home Movies and Amateur Films
pp. 176
Story and Show: The Basic Contradiction of Film Star Acting
pp. 191
The Screen Actor’s “First Self” and “Second Self”: John Wayne and Coquelin’s Acting Theory
pp. 208
Acting Like a Star: Florence Turner, Picture Personality
pp. 217
Niche Stars and Acting “Gay”
pp. 235
What Becomes of the Camera in the World on Film?
pp. 249
Sonic Bodies: Listening as Acting
pp. 262
Dance of the Übermarionettes: Toward a Contemporary Screen Actor Training
pp. 277
Articulating Digital Stardom
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