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A History of Japanese Theatre
Interlude Misemono and rakugo : sideshows and storytelling
edited_book
Author(s):
Matthew W. Shores
Publication date
(Online):
July 05 2016
Publisher:
Cambridge University Press
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Author and book information
Book Chapter
Pages
: 184-189
DOI:
10.1017/CBO9781139525336.015
SO-VID:
6ac038fb-72a3-462c-943c-599a54f438d5
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Book chapters
pp. xxvii
Foreword
pp. xxxii
Timeline
pp. xxxiv
Editor's introduction
pp. 1
Preface to Part I Japanese civilization arises
pp. 4
Ancient and early medieval performing arts
pp. 20
Interlude Katari narrative traditions: from storytelling to theatre
pp. 24
Noh and Muromachi culture
pp. 62
Interlude Noh and kyogen costumes and masks
pp. 68
Kyogen: classical comedy
pp. 99
Interlude Iemoto : the family head system
pp. 102
Kabuki: superheroes and femmes fatales
pp. 141
Interlude Nihonbuyo: classical dance
pp. 150
Interlude Okinawan theatre: boundary of Japanese theatre
pp. 155
Bunraku: puppet theatre
pp. 184
Interlude Misemono and rakugo : sideshows and storytelling
pp. 190
Interlude Kamigata geinō : Kyoto-Osaka style
pp. 192
Interlude Traditional theatre tomorrow: interview with Takemoto Mikio
pp. 197
Preface to Part II
pp. 200
Birth of modern theatre: shimpa and shingeki
pp. 226
Interlude Modern comedies and early musicals
pp. 230
Interlude Takarazuka: all-girls’ revue and musicals
pp. 234
Rise of shingeki: Western-style theatre
pp. 248
Interlude Manzai and Yoshimoto vaudeville comedy
pp. 251
Wartime colonial and traditional theatre
pp. 264
Interlude Kami-shibai: picture-card storytelling
pp. 267
Maturing shingeki theatre
pp. 285
Interlude Postwar musicals and commercial theatre
pp. 289
Sixties Theatre
pp. 321
Interlude Butoh: dance of darkness and light
pp. 326
Contemporary theatre
pp. 349
Interlude Tokyo: world theatre capital
pp. 354
Interlude Charting Tokyo theatre today: 24 November 2012
pp. 358
Interlude Modern theatre tomorrow: interview with Oriza Hirata
pp. 366
Premodern playwriting practices
pp. 376
Traditional meta-patterns
pp. 386
Modern plays as literature
pp. 397
Modern meta-patterns
pp. 411
Interlude Dōjōji: The lady and the bell
pp. 417
Preface to Part IV Evolution of Japanese theatre architecture
pp. 419
Premodern patterns of spectatorship and space
pp. 423
Modernization of theatrical space, 1868–1940
pp. 430
Postwar theatres: development and diversifi cation
pp. 437
Interlude National theatres and funding
pp. 442
Premodern practitioner principles: Zeami to Chikamatsu
pp. 454
Modern criticism: wrestling with Western realism
pp. 463
English language scholarship: a critical overview
pp. 480
Interlude University scholarship and training
pp. 484
Seven stages of Shakespeare reception
pp. 497
Traditional training internationally
pp. 513
Intercultural theatre: fortuitous encounters
pp. 529
Interlude Early influence from Europe
pp. 532
Interlude Asian energy versus European rationality: interview with Ninagawa Yukio
pp. 536
Epilogue: Frozen words and mythology
pp. 539
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