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Locating Nordic Noir
Four Perspectives on the Nordic Region
other
Author(s):
Kim Toft Hansen
,
Anne Marit Waade
Publication date
(Online):
October 15 2017
Publisher:
Springer International Publishing
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Consuming heritage: The use of local food culture in branding
Lena Mossberg
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Writing and Producing Television Drama in Denmark
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Killing us softly: Investigating the aesthetics, philosophy and influence of Nordic Noir television
Glen Creeber
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Book Chapter
Publication date (Print):
2017
Publication date (Online):
October 15 2017
Pages
: 77-101
DOI:
10.1007/978-3-319-59815-4_4
SO-VID:
cce64fba-ec35-4fe4-9375-c13dc034d054
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Book chapters
pp. 1
Introduction: Where Is Nordic Noir?
pp. 27
Local Colour and Places on Screen
pp. 53
Location Studies: A Topography of Nordic Noir
pp. 77
Four Perspectives on the Nordic Region
pp. 105
Stieg Larsson and Scandinavian Crime Literature as a Stepping Stone
pp. 127
Beck and Character Adaptations
pp. 145
Funding Models and Increasing Transnationalism
pp. 163
The Killing and DR’s Danish Model
pp. 187
Norskov and Danish Commercial Public Service Drama
pp. 207
The Team, Danish Transnationalism and the Local Colour of Europe
pp. 229
Blue Eyes and the Rise of the Swedish Original
pp. 247
Trapped and Original Noir from Iceland and Norway
pp. 269
The Bridge, Transnational Co-productions and Screen Tourism
pp. 291
Conclusion: Nordic Noir Beyond the Nordic
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