Crossing Borders

Following the creation of Birdsong for Prisoners (Osmond 2011) this new composition Crossing Borders continues to explore the nature of sound as an internal and external form of interpretation. Birds, voices, sounds and languages are not necessarily restricted by artificially imposed borders. The ability to translate and transpose compositional materials, digitally store and retrieve recordings made in transit provides a new means of compositional accessibility.

Content

Author and article information

Contributors

Joe Osmond

Conference

Publication date: July 2015

Publication date (Print): July 2015

Page: 119

Affiliations

[0001]Multi-sensory Artist

Alton, Hampshire, UK

Article

DOI: 10.14236/ewic/eva2015.57

SO-VID: e1d5224f-f580-4e47-bd4f-3820047e1221

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2015)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 7 & 9 July 2015

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/eva2015.57

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

J Osmond 2011 Birdsong for Prisoners EVA London 2011: Electronic Visualisation and the Arts 245 249 Electronic Workshops in Computing, British Computer Society

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[1] J Osmond 2011 Birdsong for Prisoners EVA London 2011: Electronic Visualisation and the Arts 245 249 Electronic Workshops in Computing, British Computer Society

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