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      Electronic Visualisation and the Arts (EVA 2015) - Index

      , ,
      Electronic Visualisation and the Arts (EVA 2015) (EVA)
      Electronic Visualisation and the Arts
      7 - 9 July 2015


            The Electronic Visualisation and the Arts London 2015 conference (EVA London 2015) is co-sponsored by the Computer Arts Society (CAS) and British Computer Society (BCS), the Chartered Institute for IT, of which the CAS is a specialist group. Over the last two decades, the EVA conference has established itself as one of London’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers in this volume touch on music, performance, arts, visualisation, interdisciplinarity, animation, cultural heritage, 3D scanning, imaging, virtual tour, virtual heritage, museum, as well as other interdisciplinary areas. The latest research by established scholars, early career researchers, practitioners, and students can be found here.

            For more information about EVA 2015, visit www.eva-london.org or search on Twitter for EVALondonConf.

            Held annually in July, EVA London is one of the international EVA conferences (Electronic Visualisation & the Arts). The first EVA conference was held in 1990. These are events where people using or interested in the new technologies can share their experiences and network in a friendly, collaborative atmosphere. Its focus is on the development and application of visualisation technologies, including art, music, dance, theatre and the sciences.

            EVA London

            • has a focus on visualisation for the arts and culture - interpreted broadly to include its implications, effects, and consequent strategies and policies

            • covers the burgeoning creative uses of digital media for works of art and creative productions

            • is a networking event for groups and projects, including European projects and groups

            • includes a free-of-charge Research Workshop for MA, MSc and PhD students and others, to share their research in a friendly and informal setting

            • is inspiring and informative, collaborative and friendly

            EVA London is a conference of the Computer Arts Society, a specialist group of BCS, the Chartered Institute for IT. It is sponsored and supported by these organisations.

            Main article text


            V&A Digital Futures meets EVA London

            Joanne Armitage & Kia Ng 'Unheard' Sounds' http://dx.doi.org/10.14236/ewic/EVA2015.42

            Steve DiPaola & Sara Salevati Reflections of Essence http://dx.doi.org/10.14236/ewic/EVA2015.43

            Tomi Dufva & Mikko Dufva Fractalnoia - 11 Datasets You Cannot Believe Just Happened http://dx.doi.org/10.14236/ewic/EVA2015.44

            Hadi Mehrpouya, Chris Barker & Mina Braun Zaytoun, Visualising Human made Disaster through Interactive Illustration http://dx.doi.org/10.14236/ewic/EVA2015.45

            Esteban Garcia Bravo, Jorge A. Garcia & Aaron Zernack XV: Reactive Spaces http://dx.doi.org/10.14236/ewic/EVA2015.46

            Elke E. Reinhuber Face Value - Augmented Reality Enhanced Photography http://dx.doi.org/10.14236/ewic/EVA2015.47

            Eleanor Lisney & Kirsten Forkert Images of Protest in Social Media for the Virtual Community http://dx.doi.org/10.14236/ewic/EVA2015.48

            Eric Lesdema & Stephanie Bolt Butchery by Light http://dx.doi.org/10.14236/ewic/EVA2015.49

            Music and Performing Arts

            Lorna Moore PULse 04: Be[ing] in the Zone - a Moist Emotion Between Body Matter and Digital Media http://dx.doi.org/10.14236/ewic/EVA2015.1

            Isabel Briant, Jeremy Gaisie, Thomas Morris, Francis Robson, David Moore & Kia Ng LIVeMotion: A Multi-Sensory System to Encourage the Awareness of Mindfulness http://dx.doi.org/10.14236/ewic/EVA2015.2

            James C. Oliverio, Angelos Barmpoutis, Chad Juehring & Anton Yudin Enhancing Global Collaboration through Network-empowered Live Performance http://dx.doi.org/10.14236/ewic/EVA2015.3


            Dan Crow (Songkick) How Songkick is using Technology to Change Live Music http://dx.doi.org/10.14236/ewic/EVA2015.50

            Music & Performing Arts II

            Joanne Armitage & Kia Ng Configuring a Haptic Interface for Music Performance http://dx.doi.org/10.14236/ewic/EVA2015.4

            Kelly Hamilton Mapping Motion II: Motion Capture and the Visualisation of Dance http://dx.doi.org/10.14236/ewic/EVA2015.5

            Beatrice Bretherton, Luke Windsor & Kia Ng Tempo and Autonomic Control of the Heart http://dx.doi.org/10.14236/ewic/EVA2015.6

            Music & Performing Arts III

            Damián Keller, Nuno Otero & Leandro Costalonga Aesthetic Heuristics in Ubimus http://dx.doi.org/10.14236/ewic/EVA2015.7

            Charles de Paiva Santana, Jônatas Manzolli, Jean Bresson & Moreno Andreatta Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical Models http://dx.doi.org/10.14236/ewic/EVA2015.8

            Jonathan Weinel Representing Altered States of Consciousness in Computer Arts http://dx.doi.org/10.14236/ewic/EVA2015.9

            Evan S. Raskob Sound Spirals http://dx.doi.org/10.14236/ewic/EVA2015.51

            Paul Golz & Genevieve Smith-Nunes [arra]stre- A Data-driven Ballet http://dx.doi.org/10.14236/ewic/EVA2015.52

            Charlotte Jarvis & Nick Goldman Music of the Spheres http://dx.doi.org/10.14236/ewic/EVA2015.53


            Cristina Portugal Design and Digital Interactive System for Medicine http://dx.doi.org/10.14236/ewic/EVA2015.10

            Cristina Portugal, Eliane Jordy, Ana Correia, Rita Couto & Felipe Alram Design and Narrative for Deaf and Listener Children http://dx.doi.org/10.14236/ewic/EVA2015.11

            Daniel Buzzo & David Jonas Designing for the Impossible: Creating a Mobile Application to Track Time Dilation http://dx.doi.org/10.14236/ewic/EVA2015.12

            Anna Shvets A New Representation System in Tonal Harmony for Analysis and Creation http://dx.doi.org/10.14236/ewic/EVA2015.54

            Augoustinos Tsiros and Grégory Leplâtre AniMorph: Animation Driven Audio Mosaicing http://dx.doi.org/10.14236/ewic/EVA2015.55

            Mat Dalgleish, Chris Payne & Steve Spencer Adding Value: Combining Ambient Visual and Vibrotactile Feedback to Encourage Good Posture in Trumpet Players http://dx.doi.org/10.14236/ewic/EVA2015.56

            Joe Osmond Crossing Borders http://dx.doi.org/10.14236/ewic/EVA2015.57

            Research Workshop

            Sarah Younan Towards a Digital Museum Dream Space http://dx.doi.org/10.14236/ewic/EVA2015.58

            Marinos Koutsomichalis & Afroditi Psarra Computer-aided Weaving: From Numerical Data to Generative Textile http://dx.doi.org/10.14236/ewic/EVA2015.59

            Francesca Guerrera Art Wonder: Using Technology Enhanced Learning (TEL) and Wearable-enhanced Learning (WELL) in the Museum Context to Enhance their Visitors' Experience http://dx.doi.org/10.14236/ewic/EVA2015.60

            Ryan Kirkbride and Kia Ng Infinite Remix Machine: Automatic Analysis and Arrangement of Musical Recordings http://dx.doi.org/10.14236/ewic/EVA2015.61

            Dorine Flies MineCraft - A Media for Resilience http://dx.doi.org/10.14236/ewic/EVA2015.62

            Ivan Grinko Museum and Maps in Virtual Reality http://dx.doi.org/10.14236/ewic/EVA2015.63

            Živa Ljubec Growing Cyberceptive Organs with Electronic Environments http://dx.doi.org/10.14236/ewic/EVA2015.64

            Marios Athanasiou Omega Point: An Electronic Visualisation of a Quantum Theory of Consciousness http://dx.doi.org/10.14236/ewic/EVA2015.65

            Dalia Yassine Memory Machines: Exploring How Digital and Wearable Technologies can be used to Visualise the Phenomena of Memory and the Concept of Identity http://dx.doi.org/10.14236/ewic/EVA2015.66

            Marina Vesic & Diogo Lopes Electrical Impulses (A Keyboard & Clarinet Performance) http://dx.doi.org/10.14236/ewic/EVA2015.67

            Arts I

            Sara Salevati & Steve DiPaola A Creative Artificial Intelligence System to Investigate User Experience, Affect, Emotion and Creativity http://dx.doi.org/10.14236/ewic/EVA2015.13

            Tom Ensom Collecting and Conserving Software-based Art (outside the institution) http://dx.doi.org/10.14236/ewic/EVA2015.14

            Tine Bech Playful Interactions: A Critical Inquiry into Interactive Art and Play http://dx.doi.org/10.14236/ewic/EVA2015.68


            Will Prentice (British Library) Save Our Sounds: Audio preservation and the British Library http://dx.doi.org/10.14236/ewic/EVA2015.69


            Elaine Shemilt The Scales of Life - A case study on an Art-Science Visualisation http://dx.doi.org/10.14236/ewic/EVA2015.15

            Marianne Markowski, Irida Ntalla, Christina Kamposiori & Vasileios Routsis Multidisciplinary Perspectives on Affective Experiences http://dx.doi.org/10.14236/ewic/EVA2015.16

            Jeremy Pilcher The Art of Voting http://dx.doi.org/10.14236/ewic/EVA2015.17

            Jonathan P. Bowen & Tula Giannini Galois Connections: Mathematics, Art and Archives http://dx.doi.org/10.14236/ewic/EVA2015.18

            Animation & Visualisation

            John MacCallum & Teoma Naccarato The Impossibility of Control: Real-time Negotiations with the Heart http://dx.doi.org/10.14236/ewic/EVA2015.19

            Dylan Gauld Beneath the Waves and Beyond the Screen: Visualising Subsea Survey Data in Three Dimensions http://dx.doi.org/10.14236/ewic/EVA2015.20

            Mat Dalgleish, Chris Payne & Richard Burn Uchronie: Revisiting Analogue Computing to Expand the Language of A/V Synthesis http://dx.doi.org/10.14236/ewic/EVA2015.21

            Iñaki Arredondo The Tech behind Creating an Experience on a Mobile/Tablet Platform http://dx.doi.org/10.14236/ewic/EVA2015.70

            Jerome J. Leary Art Visualisation in the EMDR Psychotherapy Process http://dx.doi.org/10.14236/ewic/EVA2015.71

            Mark Hursty & Victoria Bradbury A Magic Lantern Data Projector http://dx.doi.org/10.14236/ewic/EVA2015.72

            Oana Gui & Radu Moraru Art and Engineering http://dx.doi.org/10.14236/ewic/EVA2015.73

            Julian Stadon Data Body Banking: Understanding Post Biological Identity through Embodied Mixed Reality Art http://dx.doi.org/10.14236/ewic/EVA2015.74

            Gareth Polmeer Processes and Variations in Digital Landscapes http://dx.doi.org/10.14236/ewic/EVA2015.75

            Chiara Passa Live Sculpture http://dx.doi.org/10.14236/ewic/EVA2015.76

            Arts II

            Liam Noah Jefferies From Space to Interface: Augmented Reality, a Model for Participation http://dx.doi.org/10.14236/ewic/EVA2015.22

            Chris Henschke Colliding Events: Art Projects at the Large Hadron Collider http://dx.doi.org/10.14236/ewic/EVA2015.23

            Meehae Song & Steve DiPaola Exploring Different Ways of Navigating Emotionally Responsive Artwork in Immersive Virtual Environments http://dx.doi.org/10.14236/ewic/EVA2015.24

            Jo Stockham Hard Copy http://dx.doi.org/10.14236/ewic/EVA2015.25

            Camille Baker & Kate Sicchio Stitch, Bitch, Make/Peform: Wearables and Performance http://dx.doi.org/10.14236/ewic/EVA2015.26

            Cultural Heritage 1

            Lindsay MacDonald, Jane Masséglia, Charles Crowther, Ben Altshuler, Sarah Norodom, Andrew Cuffley & James Grasby Imaging the Egyptian Obelisk at Kingston Lacy http://dx.doi.org/10.14236/ewic/EVA2015.27

            Katrin Wolf, Essam Abdelhady, Yomna Abdelrahman, Thomas Kubitza & Albrecht Schmidt meSch - Tools for Interactive Exhibitions http://dx.doi.org/10.14236/ewic/EVA2015.28

            Jinhee Kim The Supersti+Tech Project: A Reinterpretation of Superstition through New Media Technology http://dx.doi.org/10.14236/ewic/EVA2015.29


            Christina Miller (UK Research Office, Brussels) Navigating Horizon 2020 Funding http://dx.doi.org/10.14236/ewic/EVA2015.77

            Virtual Tours & Virtual Heritage

            Carla Maria Furuno Rimkus & Rita de Cássia Maia da Silva New Relations with the Architectual Heritage Education http://dx.doi.org/10.14236/ewic/EVA2015.30

            Anna Neovesky & Julius Peinelt A Virtual Tour to the Inscriptions of the UNESCO World Heritage Site St. Michael in Hildesheim http://dx.doi.org/10.14236/ewic/EVA2015.31

            Valentina Fois The Prosumer: The Key Player of the Museum of the Future http://dx.doi.org/10.14236/ewic/EVA2015.32

            Scott L. Smith Stopmotion Photowalk Animation for Spatial Immersion in a Remote Cultural Heritage Site http://dx.doi.org/10.14236/ewic/EVA2015.33

            Tobias Ziegler Innovative, Participatory Listening and Seeing Experiences in Museums http://dx.doi.org/10.14236/ewic/EVA2015.34

            Duc Tran, Andrew Couch, Robert Pickering & J C Diaz Gilcrease on Wheels: Incorporating Electronic Interactive Experiences http://dx.doi.org/10.14236/ewic/EVA2015.35

            Maria Luce Lupetti, Claudio Germak & Luca Giuliano Robots and Cultural Heritage: New Museum Experiences http://dx.doi.org/10.14236/ewic/EVA2015.36

            Michael Orthwein 360 'Beyond the Screen' - Immersive, Stereo-Surround Projects in cooperation with Museum of Ancient Seafaring in Mainz http://dx.doi.org/10.14236/ewic/EVA2015.37


            Matt Faber Free lunch: Open Source Solutions for the Digitisation Workflow http://dx.doi.org/10.14236/ewic/EVA2015.38

            Tilly Blyth & Anne Prugnon Storytelling the Information Age http://dx.doi.org/10.14236/ewic/EVA2015.39

            Maximilian von Grafenstein, Eva Schneider & Nancy Richter MAUERSCHAU: A Mobile Virtual Museum Postmodern Storytelling through Digital Media http://dx.doi.org/10.14236/ewic/EVA2015.78

            Moshe Caine, Andreina Contessa & Zvi Grinberg The 3D Scanning of the Mantua Ark http://dx.doi.org/10.14236/ewic/EVA2015.79

            Chris A. Wright Anywhere is Everywhere - Tales of a Virtual Traveller http://dx.doi.org/10.14236/ewic/EVA2015.40

            Reese Muntean, Kate Hennessy, Alissa Antle, Susan Rowley, Jordan Wilson, Brendan Matkin, Rachael Eckersley, Perry Tan & Ron Wakkary ʔeləw̓k̓ʷ – Belongings: A Tangible Interface for Intangible Cultural Heritage http://dx.doi.org/10.14236/ewic/EVA2015.41

            Exhibitions at BCS

            Anna Dumitriu & Alex May Sequence http://dx.doi.org/10.14236/ewic/EVA2015.80

            Murray McKeich Spiral Gall http://dx.doi.org/10.14236/ewic/EVA2015.81

            Jonathan Weinel Optical Research: A Curated Visual Music Collection http://dx.doi.org/10.14236/ewic/EVA2015.82

            Ian Willcock You. Here. Now http://dx.doi.org/10.14236/ewic/EVA2015.83

            Author and article information

            July 2015
            July 2015
            Copyright @ 2015

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2015)
            London, UK
            7 - 9 July 2015
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts

            1477-9358 BCS Learning & Development

            Self URI (journal page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2015.0
            Self URI (journal page): https://ewic.bcs.org/
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction


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