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      The Museum Speaks – Your Narrative or Mine? The Museum in a Web 2.0 World

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      Electronic Visualisation and the Arts (EVA)

      Electronic Visualisation and the Arts

      12 - 14 July 2016

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          Abstract

          When we encounter material objects in the gallery – artworks or archaeological artefacts – we are reading narratives authored in the institutional voice of the museum that can be compelling but, at the same time, through their opaque structure, can be totalizing in their delivery. In reading these macro-narratives we are assured that this is the story – whether it is national, local or historical in nature. How could these persuasive narratives be seen as less than irrevocable, especially when they are punctuated by the physical evidence that is laid out in front of our very own eyes? However, when ‘normative’ displays of ‘our’ heritage, or ‘our’ shared memory are presented in the gallery not all visitors will necessarily concur with this message. Visitors may, of course, comply with the story line and will readily engage with the narrative; alternatively, the exhibition message may be read in opposition, while at other times visitors may simply react indifferently.

          However, when the exhibition is located online these very same narratives represent but a single resource amongst many, and in a knowledge society, these narratives may now be read as one of the myriad of stories, that eventually tumble into the palm of our hand. In reality, we obviously collate our preferred knowledge from more than one source, and move from place to place, collecting units of fragmented stories as a bricoleur not only from museums, but a wealth of print sources and the electronic media; diligently gathering information where ever we find it.

          At the same time, we are authoring our own micro-narratives and distributing them back in the maelstrom together with millions of other micro-narratives over social media – Facebook, Twitter, YouTube and a host of other popular platforms. All these narratives fold into one another; creating the fabric of our own cultural heritage landscape – or unwrap themselves along our own pathways; opening up new opportunities for self-directed learning and highly subjective, yet increasingly creative ways of thinking about self; past and present.

          This presentation locates the Museum in the fulcrum of this information flux to discuss the different ways these stories are spun to ask the question “when the Museum speaks – is this your narrative or mine?”

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          Author and article information

          Contributors
          www.musesphere.com/about/Susan.Hazan.html
          Conference
          July 2016
          July 2016
          : 220
          Affiliations
          [1 ] The Israel Museum

          Jerusalem

          Israel
          Article
          10.14236/ewic/EVA2016.43

          This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

          Electronic Visualisation and the Arts
          EVA
          London, UK
          12 - 14 July 2016
          Electronic Workshops in Computing (eWiC)
          Electronic Visualisation and the Arts
          Product
          Product Information: 1477-9358BCS Learning & Development
          Self URI (journal page): https://ewic.bcs.org/
          Categories
          Electronic Workshops in Computing

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