Presentation and Contextualisation in the Online Archive of Internet Art

This is a presentation of the initial findings of a collaborative practice-based PhD research project at London South Bank University (London, UK) and Rhizome (New York, US). The project analyses challenges associated with presenting and contextualising internet art in an online archive through the lens of user interaction design. The term internet art is contentious. It is used here within the definitions given by Stallabrass (2003) and Greene (2004). This is to distinguish it from the earlier narrower definition of the term net.art or the later expanded term internet-based art .

Content

Author and article information

Contributors

Lozana Rossenova

Conference

Publication date: July 2017

Publication date (Print): July 2017

Pages: 88-90

Affiliations

[0001]London South Bank University

103 Borough Road

London SE1 0AA, UK

Article

DOI: 10.14236/ewic/EVA2017.18

SO-VID: 7deb85cc-b9f4-48f4-a784-2688f3a492bb

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2017)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 11 – 13 July 2017

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.18

Self URI (journal page): https://ewic.bcs.org/

5. REFERENCES

B. Fino-Radin 2011 Digital Preservation Practices and the Rhizome ArtBase Rhizome. http://media.rhizome.org/artbase/documents/Digital-Preservation-Practices-and-the-Rhizome-ArtBase.pdf 24 February 2017
W. Gaver 2012 What should we expect from research through design? In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI ’12) Austin, Texas 5-10 May 937 946
R. Greene 2004 Internet Art. London Thames & Hudson
A. Johnson 2008 Users, use and context: supporting interaction between users and digital archives L. Craven What are Archives? Cultural and Theoretical Perspectives: A Reader. Aldershot 145 166 Hampshire, England; Burlington, Vermont Ashgate
J. Stallabrass 2003 Internet Art: The Online Clash of Culture and Commerce. London Tate Publishing
E. StoltermanM. Wiberg 2010 Concept-driven interaction design research HumanComputer Interaction 25 2 95 118 June
T. WrayP. EklundK. Kautz 2013 Pathways through information landscapes: Alternative design criteria for digital art collections Proceedings of the International Conference on Information Systems (ICIS 2013) 2894 2914

Comments

Comment on this article

[1] B. Fino-Radin 2011 Digital Preservation Practices and the Rhizome ArtBase Rhizome. http://media.rhizome.org/artbase/documents/Digital-Preservation-Practices-and-the-Rhizome-ArtBase.pdf 24 February 2017

[2] W. Gaver 2012 What should we expect from research through design? In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI ’12) Austin, Texas 5-10 May 937 946

[3] R. Greene 2004 Internet Art. London Thames & Hudson

[4] A. Johnson 2008 Users, use and context: supporting interaction between users and digital archives L. Craven What are Archives? Cultural and Theoretical Perspectives: A Reader. Aldershot 145 166 Hampshire, England; Burlington, Vermont Ashgate

[5] J. Stallabrass 2003 Internet Art: The Online Clash of Culture and Commerce. London Tate Publishing

[6] E. StoltermanM. Wiberg 2010 Concept-driven interaction design research HumanComputer Interaction 25 2 95 118 June

[7] T. WrayP. EklundK. Kautz 2013 Pathways through information landscapes: Alternative design criteria for digital art collections Proceedings of the International Conference on Information Systems (ICIS 2013) 2894 2914

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