Visualisation for Digital Multi-Shot Photography

Visualisation is a key element of imagemaking in photography, filmmaking and visual effects. This paper combines Ansel Adams’ process of visualisation with the notion of visualisation used in filmmaking and visual effects to introduce a visualisation process that allows for the capture of the decisive moment in digital multi-shot photography whilst maximising flexibility during postproduction.

Content

Author and article information

Contributors

Rehan Zia

Conference

Publication date: July 2019

Publication date (Print): July 2019

Pages: 330-335

Affiliations

[0001]Bournemouth University

Poole, UK

Article

DOI: 10.14236/ewic/EVA2019.62

SO-VID: 5eaef6ed-4358-4c79-bb18-42d9f647fbd0

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2019

Conference acronym: EVA 2019

Conference number:

Conference location: London, UK

Conference date: 8 - 11 July 2019

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.62

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

A. Adams 1980 The Camera, The Ansel Adams Photography Series Little, Brown and Company, 1981 1983
A. Adams 1981 The Print, The Ansel Adams Photography Series 3 Little, Brown and Compagny
A. AdamsR. Baker 1981 The Negative 2nd editio edition Little, Brown
J. Berger 2013 Understanding a photograph London Penguin UK
G. Edwards 2019 L is for Lidar Cinefex LLC https://cinefex.com/blog/lidar/ retrieved 19 March 2019 )
Framestore 2019 Previsualisation https://www.framestore.com/previsualisation retrieved 19 March 2019 )
S. D. Katz 1991 Film directing shot by shot: visualizing from concept to screen Gulf Professional Publishing
F. Ritchin 2009 After photography London WW Norton & Company
F. Ritchin 2010 In our own image 20th-Anniv edition New York Aperture Foundation, Incorporated
M. Seymour 2011 Ben Snow: the evolution of ILM’s lighting tools FXGUIDE.COM, LLC https://www.fxguide.com/featured/ben-snow-the-evolution-of-ilm-lighting-tools/ retrieved 18 May 2018 )
R. Zia 2018 Rehan’s Zone System In: Electronic Visualisation and the Arts (EVA 2018) London BCS Learning & Development Ltd

Comments

Comment on this article

[1] A. Adams 1980 The Camera, The Ansel Adams Photography Series Little, Brown and Company, 1981 1983

[2] A. Adams 1981 The Print, The Ansel Adams Photography Series 3 Little, Brown and Compagny

[3] A. AdamsR. Baker 1981 The Negative 2nd editio edition Little, Brown

[4] J. Berger 2013 Understanding a photograph London Penguin UK

[5] G. Edwards 2019 L is for Lidar Cinefex LLC https://cinefex.com/blog/lidar/ retrieved 19 March 2019 )

[6] Framestore 2019 Previsualisation https://www.framestore.com/previsualisation retrieved 19 March 2019 )

[7] S. D. Katz 1991 Film directing shot by shot: visualizing from concept to screen Gulf Professional Publishing

[8] F. Ritchin 2009 After photography London WW Norton & Company

[9] F. Ritchin 2010 In our own image 20th-Anniv edition New York Aperture Foundation, Incorporated

[10] M. Seymour 2011 Ben Snow: the evolution of ILM’s lighting tools FXGUIDE.COM, LLC https://www.fxguide.com/featured/ben-snow-the-evolution-of-ilm-lighting-tools/ retrieved 18 May 2018 )

[11] R. Zia 2018 Rehan’s Zone System In: Electronic Visualisation and the Arts (EVA 2018) London BCS Learning & Development Ltd

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