Our Relationship with the Image as a Form of Being-With

Abstract

This paper looks at the development of the artistic work from a narrative work into an experiential one. How the presentation of sublime in art has moved us away from finding meaning in narrative into taking on meaning through facing our relationship to the other. It traces how this change in communication has meant that the viewer’s experience with a work is the work. It takes an historical and theoretical perspective before discussing a proposed project, The Lamps of Presence, as a work employing these theories.

Contributors

Kenneth Feinstein

Conference

Publication date: July 2020

Publication date (Print): July 2020

Pages: 166-171

Affiliations

Sunway University

Centre for Research-Creation in Digital Media

No. 5, Jalan Universiti

47500 Bandar Sunway Selangor Darul Ehsan

Kuala Lumpur, Malaysia

Article

DOI: 10.14236/ewic/EVA2020.29

Copyright statement: © Feinstein. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2020

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2020

Conference acronym: EVA 2020

Conference number: 30

Conference location: London

Conference date: 6th July – 9th July 2020

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: AI and the Arts: Artificial Imagination

Product

Product Information: 1477-9358BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2020.29

Self URI (journal page): https://ewic.bcs.org/

Categories

Series title: Electronic Workshops in Computing