265
views
0
recommends
+1 Recommend
1 collections
    0
    shares
       
      • Record: found
      • Abstract: found
      • Conference Proceedings: found
      Is Open Access

      Our Relationship with the Image as a Form of Being-With

      proceedings-article
      Proceedings of EVA London 2020 (EVA 2020)
      AI and the Arts: Artificial Imagination
      6th July – 9th July 2020
      Media art, Media archaeology, The sublime, Expanded media, Post-modern theory
      Bookmark

            Abstract

            This paper looks at the development of the artistic work from a narrative work into an experiential one. How the presentation of sublime in art has moved us away from finding meaning in narrative into taking on meaning through facing our relationship to the other. It traces how this change in communication has meant that the viewer’s experience with a work is the work. It takes an historical and theoretical perspective before discussing a proposed project, The Lamps of Presence, as a work employing these theories.

            Content

            Author and article information

            Contributors
            Conference
            July 2020
            July 2020
            : 166-171
            Affiliations
            [0001]Sunway University

            Centre for Research-Creation in Digital Media

            No. 5, Jalan Universiti

            47500 Bandar Sunway Selangor Darul Ehsan

            Kuala Lumpur, Malaysia
            Article
            10.14236/ewic/EVA2020.29
            0e3cabe9-40db-4d7f-a109-3bb27a4cd6f5
            © Feinstein. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2020

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2020
            EVA 2020
            30
            London
            6th July – 9th July 2020
            Electronic Workshops in Computing (eWiC)
            AI and the Arts: Artificial Imagination
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2020.29
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            The sublime,Media art,Post-modern theory,Media archaeology,Expanded media

            REFERENCES

            1. 1981 Camera lucida: reflections on photography, New York Hill and Wang

            2. 1977 Image, music, text, New York Noonday Press

            3. 1997 Burning with desire: the conception of photography, Cambridge, MA; London MIT Press

            4. 1988 Matter and memory, New York Zone Books

            5. 1986 A philosophical enquiry into the origin of our ideas of the sublime and beautiful, Notre Dame University of Notre Dame Press

            6. 1987 Dialogues, New York Columbia University Press

            7. 2007 Critique of judgement, Oxford; New York Oxford University Press

            8. 1977 Notes on the Index: Seventies Art in America October 3 68 81

            9. 1998 Entre nous: on thinking-of-the-other, New York Columbia University Press

            10. 1997 The panorama: history of a mass medium, New York Zone Books

            11. 2013 Aisthesis: scenes from the aesthetic regime of art, London; New York Verso Books

            12. 2014 Between the black box and the white cube: expanded cinema and postwar art, Chicago; London University of Chicago Press

            13. 2006 Deep time of the media: toward an archaeology of hearing and seeing by technical means, Cambridge, MA MIT Press

            Comments

            Comment on this article