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      Invisible War: An audio-visual installation with laser light and Twitter API data

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      , ,
      Proceedings of EVA London 2021 (EVA 2021)
      AI and the Arts: Artificial Imagination
      5th July – 9th July 2021
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            Author and article information

            Contributors
            Conference
            July 2021
            July 2021
            : 126-128
            Affiliations
            [0001]Artist and Researcher

            The Hong Kong University of Science and Technology, Clear Water Bay, Kowloon, Hong Kong
            [0002]Artist and Researcher

            8Building postoffice Alibaba (China) Co., Ltd:969 West Wen Yi Road, Yu Hang District, Hangzhou, China
            [0003]Artist and Researcher

            China Academy of Arts, Hangzhou, Zhejiang, China
            Article
            10.14236/ewic/EVA2021.21
            1796f42e-5619-47b6-93e6-c6198c1509fe
            © Wu et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2021, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2021
            EVA 2021
            London
            5th July – 9th July 2021
            Electronic Workshops in Computing (eWiC)
            AI and the Arts: Artificial Imagination
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.21
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. (2013) Laser Fingers URL http://www.memo.tv/works/laser-fingers/ [Accessed 1 October 2013].

            2. (2019) The Trained Particles Circus: Dealing with Attractors, Automatons, Ghosts and Their Shadows. Leonardo, 52(4), 389-394.

            3. , , , and (2020) KIMA: The Wheel–Voice Turned into Vision: A Participatory, Immersive Visual Soundscape Installation. Leonardo, 53(5), 479-484.

            4. . data.path – Sound Art Zone, n.d. URL https://www.soundart.zone/ryoji-ikeda-data-path/ [Accessed 1 October 2021].

            5. (2016) Architecture Of Radio. [datavisualization]. URL http://www.architectureofradio.com/ [Accessed 2016].

            6. (2016) Qualitative and Mixed Methods Social Media Research: A Review of the Literature. URL. https://journals.sagepub.com/doi/10.1177/1609406915624574 [Accessed 1 March 2016].

            7. and (2016) The library, node-dmx URL https://github.com/node-dmx/dmx [Accessed 2 June 2016].

            8. (2013) Objects of intense feeling: The case of the Twitter API. Computational Culture, [online] (3). URL http://computationalculture.net/objects-of-intense-feeling-the-case-of-the-twitter-api/ [Accessed 16 November 2013].

            9. (2021) Invisible War (demo) – An Audio Visual Installation with Laser Light and Twitter API Data. [Blog] iwuziwei. URL: https://iwuziwei.tumblr.com/post/639945264739893248/invisible-war-demo-an-audio-visual [Accessed 10 January 2021].

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