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      Artificial Futures: Imagining AI through art

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      , ,
      Proceedings of EVA London 2021 (EVA 2021)
      AI and the Arts: Artificial Imagination
      5th July – 9th July 2021
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            Author and article information

            Contributors
            Conference
            July 2021
            July 2021
            : 191-192
            Affiliations
            [0001]HCU – HafenCity University Hamburg

            Henning-Voscherau-Platz 1

            20457 Hamburg, Germany
            Article
            10.14236/ewic/EVA2021.32
            63d461a1-8442-40c8-9515-67e051adc2d8
            © Burri et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2021, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2021
            EVA 2021
            London
            5th July – 9th July 2021
            Electronic Workshops in Computing (eWiC)
            AI and the Arts: Artificial Imagination
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.32
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. (2012) The Conflict of the Faculties: Perspectives on Artistic Research and Academia. Leiden: Leiden University Press.

            2. , and (eds) (2020) Dialogues Between Artistic Research and Science and Technology Studies. London and New York: Routledge.

            3. (2021) Doing Research by Means of Art. In: , , and (eds). Routledge Handbook of Art, Science, and Technology Studies. London and New York: Routledge. Ch.10.

            4. , (eds) (2000) Vision Assessment: Shaping Technology in 21st Century Society. Towards a Repertoire for Technology Assessment. Berlin: Springer.

            5. (2015) Future Imperfect: Science, Technology, and the Imaginations of Modernity. In: and (eds) (2015). 1–33.

            6. and (eds) (2015) Dreamscapes of Modernity: Sociotechnical Imaginaries and the Fabrication of Power. Chicago: The University of Chicago Press.

            7. (2020) State of the Art: AI through the (artificial) artist´s eye. In: , , and (eds), Proceedings of EVA London 2020 (Electronic Visualisation and the Arts). http://dx.doi.org/10.14236/ewic/EVA2020.58.

            8. , , and (eds) (2021) Routledge Handbook of Art, Science, and Technology Studies. London and New York: Routledge.

            9. , and (2017) Art, Design, and Performance. In: , , and (eds). The Handbook of Science and Technology Studies. 4th edition. Cambridge MA: MIT Press. 139–167.

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