Digital Art and Identity Merging Human and Artificial Intelligence: Enter the Metaverse

Giannini, Tula; Bowen, Jonathan P.; Michaels, Chris A.; Smith, Carl Hayden

doi:10.14236/ewic/EVA2022.1

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Digital Art and Identity Merging Human and Artificial Intelligence: Enter the Metaverse

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proceedings-article

Author(s): Tula Giannini , Jonathan P. Bowen , Chris Michaels , Carl Hayden Smith

Publication date (Print): July 2022

Conference name: Proceedings of EVA London 2022 (EVA 2022)

Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs

Conference date: 4–8 July 2022

Keywords: Artificial Intelligence, Digital art, Digital culture, Digitality, Identity, Metaverse

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Abstract

This Symposium explores themes of digital art and identity with respect to Artificial Intelligence and the developing ideas of the “metaverse”. The paper provides some background to the concept of the metaverse in the context of digital culture. Then each participant provides a statement from their viewpoint and experience. These cover diverse issues based on the varied backgrounds and expertise of the contributors.

Content

Author and article information

Contributors

Tula Giannini: http://sites.google.com/view/tgiannini

Jonathan P. Bowen: http://www.jpbowen.com

Chris Michaels: https://www.kcl.ac.uk/people/chris-michaels

Carl Hayden Smith: https://www.ravensbourne.ac.uk/people-and-stories/meet-team/carl-smith

Conference

Publication date: July 2022

Publication date (Print): July 2022

Pages: 1-7

Affiliations

[0001]Pratt Institute

School of Information

New York, USA

[0002]London South Bank University

School of Engineering

London, UK

[0003]National Gallery &

King’s College London

London, UK

[0004]Ravensbourne University London

London, UK

Article

DOI: 10.14236/ewic/EVA2022.1

SO-VID: e0fcc954-8ab4-4037-9ab9-93a6376f6151

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2022

Conference acronym: EVA 2022

Conference number:

Conference location: London

Conference date: 4–8 July 2022

Conference sponsor: Electronic Workshops in Computing (eWiC)

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.1

Self URI (journal page): https://ewic.bcs.org/

BIBLIOGRAPHY

J. P. Bowen (2020) A personal view of EVA London: Past, present, future. In Weinelet al. (2020), pp. 8–15. DOI: [Cross Ref]
J. P. BowenG. Diprose, and N. Lambert (eds.) (2016) EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]
J. P. BowenG. Diprose, and N. Lambert (eds.) (2017) EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]
J. P. Bowen and T. Giannini (2014) Digitalism: The new realism? In K. NgJ. P. Bowen, and S. McDaid (eds.), EVA London 2014: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 324–331. DOI: [Cross Ref]
J. P. Bowen and T. Giannini (2016) From analogue to digital in literature and art. In Bowenet al. (2016), pp. 1–4. DOI: [Cross Ref]
J. P. Bowen and T. Giannini (2021) Digitality: A reality check. In Weinelet al. (2021), pp. 12–19. DOI: [Cross Ref]
J. P. BowenT. GianniniR. AraA. Lomas, and J. Siefring (2019) Computational Culture and AI: Challenging human identity and curatorial practice. In Weinelet al. (2019), pp. 1–9. DOI: [Cross Ref]
J. P. BowenT. GianniniR. FalconerM. T. Magruder, and E. Marconi (2021) Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world. In Weinelet al. (2021), pp. 7–11. DOI: [Cross Ref]
J. P. BowenT. Giannini, and G. Polmeer (2017) Coded communication: Digital senses and aesthetics, merging art and life. In Bowenet al. (2017), pp. 1–8. DOI: [Cross Ref]
J. P. BowenT. GianniniG. PolmeerR. FalconerA. I. Miller, and S. Dunn (2020) States of Begin: Art and identity in digital space and time. In Weinelet al. (2020), pp. 1–7. DOI: [Cross Ref]
J. P. BowenT. GianniniG. PolmeerC. GannisJ. GardinerJ. KearneyB. Wands, and J. Weinel (2018) States of Begin: Art and identity in digital space and time. In Bowenet al. (2018), pp. 1–7. DOI: [Cross Ref]
J. P. BowenJ. WeinelG. Diprose, and N. Lambert (eds.) (2018) EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]
B. J. CopelandJ. P. BowenM. SprevakR. Wilsonet al(2017) The Turing Guide. Oxford University Press.
Expo 2020 (2020) Visitor Guide. Expo 2020 Dubai LLC, Medina Publishing. http://expo2020dubai.com
T. Giannini and J. P. Bowen (2016) Curating digital life and culture: Art and information. In Bowenet al(2016), pp. 237–244. DOI: [Cross Ref]
T. Giannini and J. P. Bowen (2018) Of museums and digital culture: A landscape view. In Bowenet al(2018), pp. 172–179. DOI: [Cross Ref]
T. Giannini and J. P. Bowen (eds.) (2019) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: [Cross Ref]
T. Giannini and J. P. Bowen (2019a) Digital culture. In Giannini & Bowen (eds.) (2019), chapter 1, pp. 3–26. DOI: [Cross Ref]
T. Giannini and J. P. Bowen (2019b) Museums and digitalism. In Giannini & Bowen (eds.) (2019), chapter 2, pp. 27–46. DOI: [Cross Ref]
T. Giannini and J. P. Bowen (2021) Museums at the crossroads: Between digitality, reality, and Covid-19. In V. Cappellini (ed.), EVA 2021 Florence Proceedings, pp. 48–55. Leonardo Libri. DOI: 10.31235/osf.io/2g567
T. Giannini and J. P. Bowen (2022a) Museums and Digital Culture: From reality to digitality in the age of COVID-19. Heritage, 5(1):192–214. DOI: [Cross Ref]
T. Giannini and J. P. Bowen (2022b) Computational Culture: Transforming archives practice and education for a post-Covid world. ACM Journal on Computing and Cultural Heritage, 15. DOI: [Cross Ref]
Magnopus (2021) Expo 2020 Dubai enters the metaverse world connecting millions across the physical & digital globally. NewsDirect, 7 December. URL: https://newsdirect.com/news/expo-2020-dubai-enters-the-metaverse-world-connecting-millions-across-the-physical-and-digital-globally-652848762
Meta (2021) The Tiger & The Buffalo. YouTube, 4 November. URL: https://youtu.be/G2W9YVkkn9U
NGX (2019) National Gallery X: Tomorrow’s museum now. The National Gallery, UK. URL: https://www.nationalgallery.org.uk/national-gallery-x/national-gallery-x
C. H. Smith and K. Templar Lewis (2021) The Metaverse: A New World of Extended Reality. Masters and Robots, Poland. YouTube. URL: https://youtu.be/bHXEPdwh5ws
J. WeinelJ. P. BowenA. Borda, and G. Diprose (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: [Cross Ref]
J. WeinelJ. P. BowenG. Diprose, and N. Lambert (eds.) (2019) EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]
J. WeinelJ. P. BowenG. Diprose, and N. Lambert (eds.) (2020) EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]

Comments

Comment on this article

[1] J. P. Bowen (2020) A personal view of EVA London: Past, present, future. In Weinelet al. (2020), pp. 8–15. DOI: [Cross Ref]

[2] J. P. BowenG. Diprose, and N. Lambert (eds.) (2016) EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]

[3] J. P. BowenG. Diprose, and N. Lambert (eds.) (2017) EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]

[4] J. P. Bowen and T. Giannini (2014) Digitalism: The new realism? In K. NgJ. P. Bowen, and S. McDaid (eds.), EVA London 2014: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 324–331. DOI: [Cross Ref]

[5] J. P. Bowen and T. Giannini (2016) From analogue to digital in literature and art. In Bowenet al. (2016), pp. 1–4. DOI: [Cross Ref]

[6] J. P. Bowen and T. Giannini (2021) Digitality: A reality check. In Weinelet al. (2021), pp. 12–19. DOI: [Cross Ref]

[7] J. P. BowenT. GianniniR. AraA. Lomas, and J. Siefring (2019) Computational Culture and AI: Challenging human identity and curatorial practice. In Weinelet al. (2019), pp. 1–9. DOI: [Cross Ref]

[8] J. P. BowenT. GianniniR. FalconerM. T. Magruder, and E. Marconi (2021) Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world. In Weinelet al. (2021), pp. 7–11. DOI: [Cross Ref]

[9] J. P. BowenT. Giannini, and G. Polmeer (2017) Coded communication: Digital senses and aesthetics, merging art and life. In Bowenet al. (2017), pp. 1–8. DOI: [Cross Ref]

[10] J. P. BowenT. GianniniG. PolmeerR. FalconerA. I. Miller, and S. Dunn (2020) States of Begin: Art and identity in digital space and time. In Weinelet al. (2020), pp. 1–7. DOI: [Cross Ref]

[11] J. P. BowenT. GianniniG. PolmeerC. GannisJ. GardinerJ. KearneyB. Wands, and J. Weinel (2018) States of Begin: Art and identity in digital space and time. In Bowenet al. (2018), pp. 1–7. DOI: [Cross Ref]

[12] J. P. BowenJ. WeinelG. Diprose, and N. Lambert (eds.) (2018) EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]

[13] B. J. CopelandJ. P. BowenM. SprevakR. Wilsonet al(2017) The Turing Guide. Oxford University Press.

[14] Expo 2020 (2020) Visitor Guide. Expo 2020 Dubai LLC, Medina Publishing. http://expo2020dubai.com

[15] T. Giannini and J. P. Bowen (2016) Curating digital life and culture: Art and information. In Bowenet al(2016), pp. 237–244. DOI: [Cross Ref]

[16] T. Giannini and J. P. Bowen (2018) Of museums and digital culture: A landscape view. In Bowenet al(2018), pp. 172–179. DOI: [Cross Ref]

[17] T. Giannini and J. P. Bowen (eds.) (2019) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. DOI: [Cross Ref]

[18] T. Giannini and J. P. Bowen (2019a) Digital culture. In Giannini & Bowen (eds.) (2019), chapter 1, pp. 3–26. DOI: [Cross Ref]

[19] T. Giannini and J. P. Bowen (2019b) Museums and digitalism. In Giannini & Bowen (eds.) (2019), chapter 2, pp. 27–46. DOI: [Cross Ref]

[20] T. Giannini and J. P. Bowen (2021) Museums at the crossroads: Between digitality, reality, and Covid-19. In V. Cappellini (ed.), EVA 2021 Florence Proceedings, pp. 48–55. Leonardo Libri. DOI: 10.31235/osf.io/2g567

[21] T. Giannini and J. P. Bowen (2022a) Museums and Digital Culture: From reality to digitality in the age of COVID-19. Heritage, 5(1):192–214. DOI: [Cross Ref]

[22] T. Giannini and J. P. Bowen (2022b) Computational Culture: Transforming archives practice and education for a post-Covid world. ACM Journal on Computing and Cultural Heritage, 15. DOI: [Cross Ref]

[23] Magnopus (2021) Expo 2020 Dubai enters the metaverse world connecting millions across the physical & digital globally. NewsDirect, 7 December. URL: https://newsdirect.com/news/expo-2020-dubai-enters-the-metaverse-world-connecting-millions-across-the-physical-and-digital-globally-652848762

[24] Meta (2021) The Tiger & The Buffalo. YouTube, 4 November. URL: https://youtu.be/G2W9YVkkn9U

[25] NGX (2019) National Gallery X: Tomorrow’s museum now. The National Gallery, UK. URL: https://www.nationalgallery.org.uk/national-gallery-x/national-gallery-x

[26] C. H. Smith and K. Templar Lewis (2021) The Metaverse: A New World of Extended Reality. Masters and Robots, Poland. YouTube. URL: https://youtu.be/bHXEPdwh5ws

[27] J. WeinelJ. P. BowenA. Borda, and G. Diprose (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: [Cross Ref]

[28] J. WeinelJ. P. BowenG. Diprose, and N. Lambert (eds.) (2019) EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]

[29] J. WeinelJ. P. BowenG. Diprose, and N. Lambert (eds.) (2020) EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. DOI: [Cross Ref]

Studying business & IT? Drive your professional career forwards with BCS books - for a 20% discount click here: shop.bcs.org

Digital Art and Identity Merging Human and Artificial Intelligence: Enter the Metaverse

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