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      Mediation in the Post-Internet Condition

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      proceedings-article
      Proceedings of EVA London 2022 (EVA 2022)
      Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      4–8 July 2022
      Mediation, Mediated publicness, Mediated self, Mediated trust, Post-Internet art, Post-Internet condition
      Bookmark

            Abstract

            This paper examines the dimension of mediation in the post-Internet condition through the post-Internet art medium. In the post-Internet condition, human and non-human actors, humans and machines, networks, algorithms and technologies, co-create conditions of life in a hybrid and liquid state of mediation. The paper discusses three important areas of mediatisation as highlights and indicators of the hybrid and multifaceted character of mediation post-Internet. These are mediated publicness, mediated self and mediated trust. The artworks discussed in this paper help illuminate the dynamics, tensions and experiences of contemporary mediation and act as examples of how important the role of mediation is in our understanding of the world and of ourselves in it and how vital it is to continue to explore and critically engage with its processes.

            Content

            Author and article information

            Contributors
            Conference
            July 2022
            July 2022
            : 65-71
            Affiliations
            [0001]Lancaster University

            The LICA Building, LA1 4YD, Lancaster, UK
            Article
            10.14236/ewic/EVA2022.15
            b0e87c42-1ae0-4fc4-af34-e512d00d9069
            © Christou. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2022
            EVA 2022
            London
            4–8 July 2022
            Electronic Workshops in Computing (eWiC)
            Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.15
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Post-Internet condition,Post-Internet art,Mediated trust,Mediated self,Mediated publicness,Mediation

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