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      From Pixels to Drones: Visualising The Nation in the London 2012 and PyeongChang 2018 Olympic opening ceremonies

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      Publication date (Print):
      Conference name: Proceedings of EVA London 2022 (EVA 2022)
      Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      Conference date: 4–8 July 2022
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            Content

            Author and article information

            Contributors
            Richard Whitby
            Conference
            Publication date: July 2022
            Publication date (Print): July 2022
            Pages: 167-168
            Affiliations
            [0001]University of Greenwich

            10 Stockwell St, London SE10 9BD, UK
            Article
            DOI: 10.14236/ewic/EVA2022.31
            SO-VID: 9dd376cf-8e4f-4ae7-8388-e4101ca6fab6
            Copyright © © Whitby. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2022
            Conference acronym: EVA 2022
            Conference number:
            Conference location: London
            Conference date: 4–8 July 2022
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.31
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. (2019) Designing the Design of the PyeongChang Olympics. Design Issues, volume 36 number 2, pages 87–95.

            2. (2012) ‘Olympic opening ceremony will recreate countryside with real animals’. http://www.theguardian.com/sport/2012/jun/12/lond on-2012-olympic-opening-ceremony ((Retrieved 18 April 2016).

            3. (1969) Leviathan 1651. The Scholar Press, Menston.

            4. Olympia dir. Leni Riefenstahl (Tobis Müller: Berlin 1938).

            5. The Opening Ceremony to the London 2012 Olympic Games (2012) Directed by Danny Boyle (performed 27th July 2012, London).

            6. The Opening Ceremony to the PyeongChang 2018 Winter Olympic Games (2018) Directed by Yang Jung-woong (performed 9th February 2018, PyeongChang).

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