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      Exeter Cathedral: A colour reconstruction for use in augmented reality devices

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      proceedings-article
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      Proceedings of EVA London 2022 (EVA 2022)
      Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      4–8 July 2022
      Digital colour reconstruction, Augmented reality, Digital heritage
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            Abstract

            In this paper, we present a digital craft-based approach for 3D colour reconstruction that utilises high-quality texture maps applied to low poly triangulated meshes for augmented reality applications. We present a case study based on a scanned 3D model of the Exeter Cathedral west front which was digitally painted to recreate the colours that had existed on the real building centuries ago. These colours were informed by previous research into remnant colour samples collected from the building stonework. The manual digital painting process based on a reference study of the actual colour samples from the building stonework allowed for a colour representation that is very close to the original colours that existed on the stonework. This project was developed to be used as an augmented reality application case study for the VistaAR project. In order to ensure optimal viewing experience, highly detailed textures were applied to low poly triangulated meshes that could be zoomed into by the viewer without compromising significant details ensuring a good immersive experience for the viewer.

            Content

            Author and article information

            Contributors
            Conference
            July 2022
            July 2022
            : 28-33
            Affiliations
            [0001]Bournemouth University

            Poole, UK
            Article
            10.14236/ewic/EVA2022.6
            fb22e83f-d9eb-4802-9b7a-c9d006117128
            © Khosravi et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2022
            EVA 2022
            London
            4–8 July 2022
            Electronic Workshops in Computing (eWiC)
            Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.6
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Augmented reality,Digital heritage,Digital colour reconstruction

            REFERENCES

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            7. (n.d) West Front. https://historicpaintconservation.co.uk/exeter-cathedral/west-front/ (retrieved 10 January 2022).

            8. (1995) The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison. Historical painting techniques, materials, and studio practice: preprints of a symposium, University of Leiden, the Netherlands, 26-29 June 1995. Getty Conservation Institute, Malibu, pp.105-110.

            9. , & (2011) Digital Imaging for Cultural Heritage Preservation: Analysis, Restoration, and Reconstruction of Ancient Artworks. CRC Press, Boca Raton.

            10. Unity. (2022) Unity. https://unity.com/ (retrieved 22 February 2022).

            11. Vista-Ar (2021) Exeter Cathedral keeps evolving. https://www.youtube.com/watch?v=KW9C1IbkGH0 (retrieved 10 January 2022).

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