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      Cymatic patterns of the Black Cockatoo: Visualising the calls of wildlife in Australia

      proceedings-article
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      Proceedings of EVA London 2022 (EVA 2022)
      Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      4–8 July 2022
      Cymatics, Photography, Acoustic ecology, Sound, Projection art, Indigenous knowledge
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            Abstract

            Beeyali is a research project exploring new methods for visualising the calls of wildlife on Kabi Kabi Country, the traditional lands, and waters of the Sunshine Coast in Queensland, Australia. The project brings together Indigenous knowledge, environmental research, emerging technology, photography and sound to visualise wildlife calls using cymatics, the science of visualising acoustic energy or sound. The first phase of the project focuses on the calls of Black Cockatoos through a series of experiments to reveal cymatics with organic materials and digital technology.

            Content

            Author and article information

            Contributors
            Conference
            July 2022
            July 2022
            : 38-45
            Affiliations
            [0001]University of the Sunshine Coast

            Sippy Downs, QLD, Australia
            [0002]Gubbi Gubbi Dance

            Sunshine Coast, QLD, Australia
            Article
            10.14236/ewic/EVA2022.9
            cb957344-b20b-405c-a035-16cfe48b748e
            © Barclay et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2022
            EVA 2022
            London
            4–8 July 2022
            Electronic Workshops in Computing (eWiC)
            Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.9
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Cymatics,Photography,Acoustic ecology,Sound,Projection art,Indigenous knowledge

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