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      Speculative Sound Circuits


      Politics of the Machines - Art and After (EVA Copenhagen)

      Digital arts and culture

      15 - 17 May 2018

      Speculative design, DIY electronic music, Sound circuit, Object-based, Objecthood, Musical instrument

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          Alternative approaches to electronic music through speculative sound circuits are discussed. These approaches borrow from emerging theories in speculative design and the work of designer/theorist Anthony Dunne. Dunne’s post-optimal technological object is also discussed along with slow tech and the slow movement. George Brecht’s Water Yam and the absurdist creative strategies of the Fluxus movement are seen as prototypes for speculative design. With particular reference to electronic music and speculative sound circuits, the instruments of Percy Grainger and Gijs Gieskes are considered. Speculative sound circuits are viewed as part of a broader theoretical framework in relation to critical making, as referred to by Garnet Hertz, John Cage’s ‘music of objects’ and David Tudor’s ‘composing inside electronics’. Finally, a specific example of the author’s work as Dirty Electronics, Making for Radio and Speculative Circuit, are offered up to illustrate speculative sound circuits along with spontaneous and intuitive approaches to circuit building, rapid prototyping strategies, and making as a processual part of performance. Indeterminate and chance-based music, models for extended instrumental techniques, and questions arising concerning physiologies in performance and human-machine interaction are also reflected upon.

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          Most cited references 9

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          Slow Technology – Designing for Reflection

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            Open Sources: Words, Circuits and the Notation-Realization Relation in the Music of David Tudor

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              One Knob To Rule Them All: Reductionist Interfaces for Expansionist Research

               J Bowers,  J. RICHARDS (2016)

                Author and article information

                May 2018
                May 2018
                : 1-6
                [1 ] Music, Technology and Innovation

                Research Centre, De Montfort University, Leicester, UK
                © Richards. Published by BCS Learning and Development Ltd. Proceedings of EVA Copenhagen 2018, Denmark

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                Politics of the Machines - Art and After
                EVA Copenhagen
                Aalborg University, Copenhagen, Denmark
                15 - 17 May 2018
                Electronic Workshops in Computing (eWiC)
                Digital arts and culture
                Product Information: 1477-9358BCS Learning & Development
                Self URI (journal page): https://ewic.bcs.org/
                Electronic Workshops in Computing


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