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      Creating Sonic Topologies using Electronic Music to develop a new Cosmological Model of Consciousness

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      proceedings-article
      RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)
      Media Art, Science, and Technology
      August 20-23, 2019
      Consciousness, synthesizers, topology, composition, space, protein, cosmology, radio telescopes
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            Abstract

            How electronic music has transformed itself from being a marginal compositional mode of expression for science fiction sound tracks to becoming an integrated sonic art form to enhance emotional and intellectual motivation, as explored by Jóhann Jóhannsson in his sound track for the film, Arrival, is an ongoing process that can lead to a wider view of understanding our place in the universe. Through the use of sonic articulations, the emergent process of scientific exploration in the fields of asteroseismology, nano tunneling microscopes, as well as EM and gravitational fields found in the universe are producing a new sonic tapestry defining the distribution of frequency patterns which form life as we know it. With the sonification and direct recording of cosmic and protein frequencies a new philosophical and cosmological expressions of how consciousness operates in the universe can come about. The spatial domain in which sonic artefacts fill the mind lends insight as to how cognitive spatiality effects sound composition. These new subjective interpretations form a new palette from which an electronic music composer can draw from. By exploring new forms of sonic spatiality a deeper understanding of our cognitive abilities in the universe can come about.

            Content

            Author and article information

            Contributors
            Conference
            August 2019
            August 2019
            : 283-290
            Affiliations
            [0001]735 11th Ave., Apt.#1

            San Francisco, California 94118
            Article
            10.14236/ewic/RESOUND19.42
            bc51763a-82f3-47c3-a357-8d38d9be816e
            © Bogart. Published by BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology
            RE:SOUND 2019
            8
            Aalborg, Denmark
            August 20-23, 2019
            Electronic Workshops in Computing (eWiC)
            Media Art, Science, and Technology
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/RESOUND19.42
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            topology,Consciousness,synthesizers,composition,space,protein,cosmology,radio telescopes

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