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Computers and Creativity
Computational Aesthetic Evaluation: Past and Future
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Author(s):
Philip Galanter
Publication date
(Print):
2012
Publisher:
Springer Berlin Heidelberg
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Computational epistasis
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A formal theory of inductive inference. Part I
R.J. Solomonoff
(1964)
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On the Length of Programs for Computing Finite Binary Sequences
Gregory Chaitin
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Chaos and Fractals
Heinz-Otto Peitgen
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Hartmut Jürgens
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Dietmar Saupe
(1992)
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Publication date (Print):
2012
Pages
: 255-293
DOI:
10.1007/978-3-642-31727-9_10
SO-VID:
c0f73a82-25a8-4cb5-99ee-b17e30064f8d
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Book chapters
pp. 3
The Painting Fool: Stories from Building an Automated Painter
pp. 39
Creative Ecosystems
pp. 61
Construction and Intuition: Creativity in Early Computer Art
pp. 95
Evaluation of Creative Aesthetics
pp. 115
Musical Virtuosity and Creativity
pp. 147
Live Algorithms: Towards Autonomous Computer Improvisers
pp. 175
The Extended Composer
pp. 205
Between Material and Ideas: A Process-Based Spatial Model of Artistic Creativity
pp. 235
Computer Programming in the Creative Arts
pp. 255
Computational Aesthetic Evaluation: Past and Future
pp. 295
Computing Aesthetics with Image Judgement Systems
pp. 323
A Formal Theory of Creativity to Model the Creation of Art
pp. 339
Creativity Refined: Bypassing the Gatekeepers of Appropriateness and Value
pp. 361
Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature, Humans and Machines
pp. 383
Creating New Informational Primitives in Minds and Machines
pp. 421
Computers and Creativity: The Road Ahead
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